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Latin text and English version
PANGE LINGUA IN MUSIC HISTORY There are two Plainchant settings of the Pange Lingua hymn. The better known is a Phrygian Mode tune from the Roman liturgy, and the other is from the Mozarabic liturgy from Spain. The Roman tune was originally part of the Gallican Rite . The Roman version of the Pange Lingua hymn was the basis for a famous composition by Renaissance composer Josquin Desprez , the ''Missa pange lingua.'' An elaborate fantasy on the hymn, the Mass is one of the composer's last works and has been dated to the period from 1515 to 1521 , since it was not included by Petrucci in his 1515 collection of Josquin's masses, and was published posthumously. In its simplification, motivic unity and close attention to the text it has been compared to the late works of Beethoven, and many commentators consider it one of the high points of Renaissance Polyphony . Johannes Urreda , a Flemish composer active in Spain in the late 15th Century , composed numerous settings of the Pange Lingua, most of them based on the original Mozarabic melody. One of his versions for four voices became one of the most popular pieces of the 16th Century , and was the basis for dozens of keyboard works in addition to masses, many by Spanish composers. Pange Lingua has been translated into many different languages for worship throughout the world. However, the Latin version remains the most popular. The Syriac translation of Pange Lingua was used as part of the rite of Benediction in the Syro-Malabar Catholic Church of Kerala , India , until the 1970s. EXTERNAL LINKS
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