Information AboutOrpheus |
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| characters in book vi of the aeneid | |
| argonauts | |
| thracians | |
| pederastic heroes and deities | |
| greek mythology | |
| primordial teachers | |
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painting by Gustave Moreau .]] In , and of great importance in the religious history of Greece. The mythical figure of Orpheus was borrowed by the Greeks from their Thracian neighbors; the Thracian "Orphic Mysteries", rituals of unknown content, were named after him. The ancients knew him as a Thracian, a magical musician, and also as a priest of Dionysus . Some attribute him as the founder of the Dionysiac rites. OVERVIEW The name ''Orpheus'' does not occur in Homer or Hesiod , but he was known in the time of Ibycus (c. 530 BC ). Pindar ( 522 — 442 BC ) speaks of him as “the father of songs”. From the 6th Century BC onwards, Orpheus was considered one of the chief poets and musicians of antiquity, and the inventor or perfector of the lyre. By dint of his music and singing, he could charm the wild beasts, coax the trees and rocks into dance, even arrest the course of rivers. As one of the pioneers of civilization, he is said to have taught mankind the arts of medicine, writing and agriculture. Closely connected with religious life, Orpheus was an Augur and seer; practiced magical arts, especially astrology; founded or rendered accessible many important cults, such as those of Apollo and the Thracian god Dionysus ; instituted mystic rites both public and private; and prescribed initiatory and purificatory rituals. George Grote wrote that "Orpheus is celebrated by Pindar as the harper and companion of the Argonautic maritime heros." ETYMOLOGY
GENEALOGY According to the best-known tradition, Orpheus was the son of Oeagrus , king of Thrace , which in pre-historic period seems to describe a wider region from Olymbos to the Hellespontos Straits, as the Orphic texts ('' Argonautica '') point out that Orpheus was born in Mount Elikon at Livithra ( Piplan , Pieria ), and that his mother was Calliope , the Muse of epic poetry. In other traditions, Calliope and Apollo were his parents. Orpheus learned music from Linus , or from Apollo , who gave him his own lyre (made by Hermes out of a turtle shell) as a gift. THE ARGONAUTIC EXPEDITION Despite Orpheus's Thracian origin, he joined the expedition of the Argonauts . Centaur Chiron had warned Argonaut leader Jason that only with the aid of Orpheus would they be able to navigate past the Siren s unscathed. The Sirens lived on three small, rocky islands called Sirenum Scopuli and sang irresistibly beautiful songs that enticed sailors and their ships to the islands' craggy shoals. Once shipwrecked on the rocks, the sailors became supper for the Sirens. However, when Orpheus heard the Sirens, he drew his lyre and played music more beautifully than that of the Sirens, thus drowning out their alluring but deadly song. DEATH OF EURYDICE But the most famous story in which he figures is that of his wife Eurydice . Eurydice is sometimes known as Agriope. While fleeing from Aristaeus , she was bitten by a serpent which brought her to her death. Distraught, Orpheus played such sad songs and sang so mournfully that all the nymphs and gods wept and gave him advice. Orpheus went down to the lower world and by his music softened the hearts of Hades and Persephone (the only person to ever do so), who agreed to allow Eurydice to return with him to earth. But the condition was attached that he should walk in front of her and not look back until he had reached the upper world. In his anxiety he broke his promise, and Eurydice vanished again from his sight. The story in this form belongs to the time of Virgil , who first introduces the name of Aristaeus. Other ancient writers, however, speak of Orpheus' visit to the underworld; according to Plato , the infernal gods only “presented an apparition” of Eurydice to him. Ovid says that Eurydice's death was not caused by fleeing from Aristaeus but by dancing with Naiads on her wedding day. The famous story of Eurydice may actually be a late addition to the Orpheus myths. In particular, the name ''Eurudike'' ("she whose justice extends widely") recalls cult-titles attached to Persephone . The myth may have been mistakenly derived from another Orpheus legend in which he travels to Tartarus and charms the goddess Hecate . The story of Orpheus and Eurydice has interesting similarities to the Japanese myth of Izanagi and Izanami . Also it is similar to the story of Lot (Biblical) and his wife when escaping from Sodom. After the death of Eurydice, Orpheus presumably swore off the love of women and took only youths as his Lovers . He is reputed to be the one who introduced Pederasty to the Thracians, teaching them to "love the young in the flower of their youth". DEATH OF ORPHEUS envisaged the death of Orpheus in this pen and ink drawing, 1494 (Kunsthalle, Hamburg)]] According to a Late Antique summary of Aeschylus 's lost play ''Bassarids'', Orpheus at the end of his life disdained the worship of all gods save the sun, whom he called Apollo . One early morning he ascended Mount Pangaion (where Dionysus had an oracle) to salute his god at dawn, but was torn to death by Thracian Maenads for not honoring his previous patron, Dionysus. Here his death is analogous with the death of Dionysus, to whom therefore he functioned as both priest and Avatar . 's drawing (''illustration, left'') the ribbon high in the tree is lettered ''Orfeus der erst puseran'' ("Orpheus, the first Sodomite "). His head and lyre, still singing mournful songs, floated down the swift Hebrus to the Mediterranean shore. There, the winds and waves carried them on to the Lesbos shore, where the inhabitants buried his head and a shrine was built in his honour near Antissa . The Lyre was carried to heaven by the Muses , and was placed amongst the stars. The Muses also gathered up the fragments of his body and buried them at Leibethra below Mount Olympus , where the Nightingale s sang over his grave. His soul returned to the underworld, where he was re-united at last with his beloved Eurydice. In Attic vase painting, however, the women who attack Orpheus appear to be normal Thracian women, who are irritated that the bard's songs have stolen their husbands away from them. ORPHIC POEMS AND RITES A large number of Greek religious poems in composed at some point in the 2nd or 3rd century AD, and an Orphic Argonautica composed somewhere between the 4th and 6th centuries AD. Earlier Orphic literature, which may date back as far as the 6th Century BC , survives only in Papyrus scraps or in quotations by later authors. In addition to serving as a storehouse of mythological data along the lines of Hesiod 's '' Theogony '', Orphic poetry was recited in mystery-rites and purification rituals. Plato in particular tells of a class of vagrant beggar-priests who would go about offering purifications to the rich, a clatter of books by Orpheus and Musaeus in tow ( Republic 364c-d). Those who were especially devoted to these ritual and poems often practiced Vegetarianism , abstention from Sex , and refrained from eating eggs and beans — which came to be known as the ''Orphikos bios'', or "Orphic way of life". The historian William Mitford wrote in 1784 that the very earliest form of a higher and cohesive ancient Greek religion was manifest in the Orphic poems. W.K.C. Guthrie wrote that Orpheus was the founder of mystery religions and the first to reveal to men the meanings of the initiation rites. THE POST-CLASSICAL ORPHEUS In The Divine Comedy Dante sees the shade of Orpheus along with those of numerous other "virtuous pagans" in Limbo . This story of Orpheus and Eurydice has been the subject of Opera s and cantatas through the history of western Classical Music : In addition, the story served as a basis for Angelo Poliziano 's "Orfeo", a musical Renaissance play which is considered by some scholars to be an important forerunner of the opera genre. In a 1985 article in ''19th Century Music'' musicologist Owen Jander controversially argued that the 2nd movement (''Andante con moto'') of Beethoven 's 4th Piano Concerto was programatically modelled after the Orpheus myth. The Tennessee Williams play '' Orpheus Descending '' is a modern retelling of the Orpheus myth set in 1950's America. Sarah Ruhl's play '' Eurydice '' is an interpretive retelling of the myth of Orpheus from the point of view of his wife, Eurydice. Jean Anouilh's '' Eurydice '' (1941) sets the story among a troupe of performers in 1930s France. Film retellings and reinterpretations include: The Czech-German poet Rainer Maria Rilke , sometimes called the last of the romantic authors, wrote the Sonnets to Orpheus immediately following the '''Duino Elegies'''. The English poet John Milton repeatedly made allusions to the figure of Orpheus in his work, most centrally in " Lycidas " (1637). The Polish poet Czeslaw Milosz wrote Orpheus and Euridice as an elegy to his late wife Carol in 2003. The tale of Orpheus was mixed with Celt ic Fairy lore in the Middle English Metrical Romance '' Sir Orfeo ''. The myth of Orpheus was also retold in The Sandman comic books by Neil Gaiman , and in the Hugo Award -winning novella, ''Goat Song'' by Poul Anderson . Russell Hoban 's " The Medusa Frequency " alludes heavily to the Orpheus myth. In fact, the head of Orpheus is a central character, albeit inside another character's mind... Thomas Pynchon 's novel " Gravity's Rainbow " uses the Orpheus myth as one structure, with Slothrop as Orpheus and postwar Germany as Hades. There are many references to the afterlife in Slothrop's "descent" into the continent, the yacht the Anubis being one example. Salman Rushdie used the Orpheus and Eurydice narrative as a mythic underpinning to the Magical Realist Novel '' The Ground Beneath Her Feet '' (see also the song of the same name recorded by U2 with lyrics provided by Rushdie). A modernised version of the myth of Orpheus is told in Nick Cave 's song ''The Lyre Of Orpheus'' from the double album '' Abattoir Blues/The Lyre Of Orpheus ''. Owen Barfield had written the verse drama Orpheus in the 1930s, partly at the suggestion of C.S. Lewis . The play was performed only once, in 1948, and remained buried in Barfield’s papers until John Ulreich, Jr., of the University of Arizona was tantalized by Barfield’s allusions to it and disinterred it. He saw it through to publication in 1983 and wrote the introduction, in which he rightly praises Orpheus as "the evolution of consciousness made flesh, the thing itself in human form, the myth made fact as imaginative experience." W H Auden wrote a beautiful poem called "Orpheus" about the conflicting desires "to be bewildered and happy or most of all the knowledge of life". Orpheus appears as a member of . , a dense mix of music, poetry and spoken word. Sonya Taaffe 's "Shade and Shadow" presents the Orpheus myth in relation to the modern fear of death and isolation. In ''. In the TV series Angel , Orpheus is the name given to a drug taken by humans to give them a rush when their blood is drunk by a vampire. Faith uses it in the series to take down Angelus . 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