The Fach system is a convenience for singers and opera houses. A singer who is identified as being of a certain Fach will usually be asked to sing only roles that belong to that Fach. This prevents a singer from being asked to sing roles which he or she is incapable of performing. Opera houses keep lists of available singers by Fach so that when they are casting roles for an upcoming production, they do not inadvertently contact performers who would be inappropriate for the part.
Below is a list of Fächer, their ranges as written on Sheet Music , and their common roles. When two names for the Fach are given, the first is in more common use today. Where possible, an English equivalent of each Fach is listed, however not all Fächer have ready English equivalents. Note that some roles can be sung by more than one Fach.
- English equivalent: Dramatic coloratura soprano
- Range: From middle C to the F two-and-a-half octaves above middle C
- Description: The same as above, only with a more dramatic, rich voice. Can often be more lyrical, and heavier than a coloratura soprano. Must also be able to do fast vocal acrobatics and reach high notes, such as the f3 of the ''Queen of the Night''. Some of the best examples for this voice type are Joan Sutherland, Maria Callas and June Anderson. This is a very rare vocal Fach, seeing it needs thick vocal chords to produce the large, dramatic notes needed. This usually lessen the flexibility and acrobatic abilities of the voice.
- Roles:
- ---The Queen of the Night, '' Die Zauberflöte '' ( Wolfgang Amadeus Mozart )
- ---Semiramide, '' Semiramide '' ( Gioacchino Rossini )
- ---Armida, '' Armida '' ( Gioacchino Rossini )
- ---Elena, '' La Donna Del Lago '' ( Gioacchino Rossini )
- ---Violetta, '' La Traviata '' ( Giuseppe Verdi )
- ---Konstanze, '' Die Entführung Aus Dem Serail '' ( Wolfgang Amadeus Mozart )
- Singers
- --- Joan Sutherland
- --- Maria Callas
- --- June Anderson
- English equivalent: Lyric soprano
- Range: From middle C to the C two octaves above middle C
- Description: a more supple-sounding soprano, capable of legato, portamento, and some agility; generally has a more soulful and sensuous quality than a soubrette who tend to be largely flirtatious and somewhat tweety.
- Roles:
- ---Mimi, '' La Bohème '' ( Giacomo Puccini )
- ---Micaela, '' Carmen '' ( Georges Bizet )
- English equivalent: Light dramatic soprano
- Range: From middle C to the C two octaves above middle C
- Description: The Italian version of this fach is the '' Spinto '', which literally means pushed. Thus, a light dramatic soprano must generally push her basically lyric instrument to create big sounds that can cut through an orchestral and/or choral climax. Depending on the singer, however, this voice type can be more versatile, as it lies at neither extreme of the soprano spectrum. Spintos are occasionally able to take on lighter mezzo roles, or conversely, lyric and even coloratura roles. Spinto sopranos are known to be especially well suited to art song and operas in English.
- Roles:
- ---Madama Butterfly, '' Madama Butterfly '' ( Giacomo Puccini )
- ---Manon Lescaut, '' Manon Lescaut '' ( Giacomo Puccini )
- ---Floria Tosca, '' Tosca '' ( Giacomo Puccini )
- ---Elizabeth de Valois, '' Don Carlo '' ( Giuseppe Verdi )
- ---Susannah, '' Susannah '' ( Carlisle Floyd )
- Singers:
- --- Gundula Janowitz
- --- Lotte Lehmann
- --- Karita Mattila
- English equivalent: Comic soprano
- Range: From the B below middle C to the C two octaves above middle C
- Description:
- Roles:
- English equivalent: Wagnerian soprano
- Range: From the F below middle C to the C two octaves above middle C
- Description: A voice equal to the demands of the operas of Wagner's maturity, substantial, very powerful and even throughout the registers. Successful ''hochdramatischer'' are rare, only one or two appear in a generation. Arguably there are none singing today.
- English equivalent: Lyric mezzo-soprano
- Range: From the G below middle C to the B 1 octave above middle C
- Description: a lyric soprano's instrument in a lower range; the resulting sound is less piercing, more lachrymose and kind of sensitive
- Roles: Carmen can be sung by lyric mezzos like Denyce Graves. Octavian in Der Rosenkavalier , Cherubino in Le Nozze Di Figaro (and other pants roles), also Mignon, Cendrillon, Charlotte, Dido.
- Singers:
- --- Susan Graham
- --- Janet Baker
- --- Anne-Sofie Von Otter
- --- Frederica Von Stade
- English equivalent: Coloratura mezzo-soprano
- Range: From the G below middle C to the B above middle C
- Description: a lyric soprano's instrument in a lower range; the resulting sound is less piercing, more lachrymose and kind of sensitive
- Roles: Rosina in ''Il barbiere di Siviglia''
- Singers:
- --- Cecilia Bartoli
- --- Conchita Supervia
- English equivalent: Dramatic mezzo-soprano
- Range: From the G below middle C to the B above middle C
- Description: The dramatic mezzo possesses an almost freakishly large instrument capable of creating penetrating yet full-bodied projection. Dramatic mezzos must perform alongside dramatic sopranos, and so their voices must be able to carry effectively despite singing in a lower tessitura. They are well-suited to composers who use densely textured orchestration like Beethoven, Wagner, and Strauss. The dramatic mezzo, however stunning in the opera house, is often felt to be too overwhelming for lied and other art songs.
- Roles:
- ---Amneris ('' Aida '')
- ---Eboli ('' Don Carlo '')
- ---Fricka ('' Das Rheingold , Die Walküre '')
- ---Ortrud ('' Lohengrin '')
- Singers
- --- Grace Bumbry
- --- Fiorenza Cossotto
- --- Ebe Stignani
- English equivalent: Contralto
- Range: From the G below middle C to the B above middle C
- Description:
- Roles: Erda in ''Der Ring des Nibelungen''
- English equivalent: Contralto
- Range: From the F below middle C to the A above middle C
- Description: A deep, penetrating low female voice. This is a very rare voice type with a darker, richer sound than that of a typical alto.
- Roles: Die Kranke in ''Moses und Aron''; Ulrica in ''Un ballo en maschera'' (Giuseppe Verdi)
- Singers:
- --- Marian Anderson
- --- Clara Butt
- --- Kathleen Ferrier
- --- Ernestine Schumann-Heink
- English equivalent: (Lyric) comic tenor
- Range: From low C to the B an octave above middle C (C to b')
- Description:
- Roles: Pedrillo ''(Die Entführung aus dem Serail)''
- English equivalent: (Dramatic) comic tenor
- Range: From the B below low C to the C an octave above middle C (C to c')
- Description:
- Roles: Mime ''(Siegfried)''
- Singers:
- --- Gerhard Stolze
- English equivalent: (Lyric) comic bass
- Range: From the E one-and-a-half octaves below middle C to the F above middle C (E to f')
- Description:
- Roles:
- --- Don Pasquale , Gaetano Donizetti
- English equivalent: (Dramatic) comic bass
- Range: From the C two octaves below middle C to the F above middle C (C to f')
- Description:
- Roles: Baculus, ''Der Wildschütz'' ( Albert Lortzing )
- English equivalent: Bass-baritone
- Range: From the E one-and-a-half octaves below middle C to the F above middle C (C to f')
- Description:
- Roles:
- ---Figaro, ''Le nozze di Figaro'', Mozart
- ---Don Alfonso, '' Cosi Fan Tutte '' by ( Wolfgang Amadeus Mozart )
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