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List Of Works By Beethoven





BEETHOVEN WORKS, BY GENRE



Symphonies




Concerto s



Overture s




String Quartet s




String Quintet




Piano trios




Duets - solo instrument and piano


Violin Sonata s



Cello Sonata s



Solo piano


Piano Sonata s



Variations




Vocal music


Opera



Other vocal music



BEETHOVEN WORKS, BY NUMBER (OPUS # AND WOO #)


For cataloguing purposes, pieces by Beethoven are identified in four ways:

  • by Opus Number . These were assigned by his publishers, and follow the order in which his works were published, rather than the order they were written. This is why, for example, the Wind Octet of 1792 can be Opus 103, when Opus 102 and Opus 104 were written in 1815 and 1817 respectively. Everything up to and including Opus 135 was published in Beethoven's lifetime; later numbers were published posthumously.

  • by ''WoO'' (''Werke ohne Opuszahl'' - literally, "works without opus number") number. These were assigned by Georg Kinsky and Hans Halm (who took over from Kinsky after his death) in their 1955 catalogue of Beethoven's works.

  • by ''AnH'' number - these are works listed in the appendix (German: ''Anhang'', hence the abbreviation) of Kinsky's catalogue as being probably spurious. Some of these have since been shown to be authored by Beethoven.

  • by ''Hess'' (abbreviated to ''H'') number. These were assigned by Willy Hess in a listing published shortly after Kinsky's which includes pieces not included in the 19th century Complete Edition published by Breitkopf And Haertel . Hess includes many more fragmentary works than does Kinsky. Many pieces have both WoO and H numbers - in these cases, WoO numbers are generally favoured over Hess numbers.


There is also the Biamonti catalogue, compiled by Giovanni Biamonti and published in 1968 . This combines the pieces with opus numbers and all the works from Kinsky's and Hess' catalogue with hitherto uncatalogued fragments to make a single chronological listing. Biamonti numbers are not very often referred to, however.

Most of Beethoven's best-known pieces have opus numbers, but there are exceptions, one of the most notable being " Für Elise ", WoO 59.


Works having assigned Opus #




Works having no assigned Opus # (WoO, 'Werke ohne Opuszahl')


("Werke ohne Opuszahl", abbreviated WoO, is the German for "Works without Opus number")

  • WoO 1: Music for a ''Ritterballett''

  • WoO 2a: Triumphal March for orchestra for Christoph Kuffner 's tragedy ''Tarpeja''

  • WoO 2b: Prelude to Act II of ''Tarpeja''

  • WoO 3: "Gratulations-Menuett", Minuet for orchestra

  • WoO 4: Piano Concerto in E flat major (solo part only with indications of orchestration)

  • WoO 5: Violin Concerto movement in C major, fragment

  • WoO 6: Rondo in B flat major for piano and orchestra, fragment, possibly part of initial version of the Piano Concerto No. 2

  • WoO 7: Twelve minuets for orchestra

  • WoO 8: Twelve German Dances for orchestra (later arranged for piano)

  • WoO 9: Six minuets for two violins and cello

  • WoO 10: Six minuets for orchestra (original version lost, only an arrangement for piano is extant)

  • WoO 11: Seven Ländler for two violins and cello (original version lost, only an arrangement for piano is extant)

  • WoO 12: Twelve minuets for orchestra (probably spurious, actually by Beethoven's brother Carl)

  • WoO 13: Twelve German Dances for orchestra (only a version for piano is extant)

  • WoO 14: Twelve Contredanse s for orchestra

  • WoO 15: Six Laendler for two violins and cello (also arranged for piano)

  • WoO 16: Twelve Ecossaise s for orchestra (probably spurious)

  • WoO 17: Eleven "Mödlinger Tänze" for seven instruments (probably spurious)

  • WoO 18: March for Military Band (trio added later)

  • WoO 19: March for Military Band (trio added later)

  • WoO 20: March for Military Band (trio added later)

  • WoO 21: Polonaise for Military Band

  • WoO 22: Ecossaise for Military Band

  • WoO 23: Ecossaise for Military Band (only a piano arrangement by Carl Czerny is extant)

  • WoO 24: March for Military Band

  • WoO 25: Rondo for two Oboe s, two Clarinet s, two French Horn s and two Bassoon s (original finale of the ''Octet'', opus 103

  • WoO 26: Duo for two flutes

  • WoO 27: Three duets for clarinet and bassoon (possibly spurious)

  • WoO 28: Variations for two oboes and cor anglais on "Là ci darem la mano" from Wolfgang Amadeus Mozart 's opera '' Don Giovanni ''

  • WoO 29: March for wind

  • WoO 30: Three Equali for four trombones (also arranged for four male voices)

  • WoO 31: Fugue for organ

  • WoO 32: Duo for viola and cello, "mit zwei obligaten Augengläsern" ("with two obbligato eyeglasses")

  • WoO 33: Five pieces for mechanical clock or flute

  • WoO 34: Duet for two violins

  • WoO 35: Canon for two violins

  • WoO 36: Three Piano Quartet s

  • WoO 37: Trio in G major for piano, flute and bassoon

  • WoO 38: Piano Trio No. 8 in E flat major

  • WoO 39: Allegretto in B flat major for piano trio

  • WoO 40: Twelve variations for piano and violin on "Se vuol ballare" from Mozart's '' The Marriage Of Figaro ''

  • WoO 41: Rondo in G major for piano and violin

  • WoO 42: Six German Dances for violin and piano

  • WoO 43a: Sonatina for mandolin and harpsichord

  • WoO 43b: Adagio for mandolin and harpsichord

  • WoO 44a: Sonatina for mandolin and piano

  • WoO 44b: Andante and variations for mandolin and harpsichord

  • WoO 45: Twelve variations for cello and piano "See the conqu'ring hero comes" from George Frideric Händel 's oratorio '' Judas Maccabaeus ''

  • WoO 46: Seven variations for cello and piano on "Bei Männern, welche Liebe fühlen" from Mozart's opera '' Die Zauberflöte ''

  • WoO 57: Andante Favori - Original middle movement from Piano Sonata No. 21 (Waldstein) (1805)

  • WoO 59: Für Elise - Bagatelle in A minor for solo piano (1808)

  • WoO 62: String Quintet in C major (Fragment, Piano Transcription)

  • WoO 63: Nine variations for piano on a march by Ernst Christoph Dressler

  • WoO 64: Six variations for piano or harp on a Swiss song

  • WoO 65: Twenty-four variations for piano on Vincenzio Righini 's aria "Venni Amore"

  • WoO 66: Thirteen variations for piano on the aria "Es war einmal ein alter Mann" from Carl Ditters Von Dittersdorf 's opera ''Das rote Käppchen''

  • WoO 67: Eight variations for piano four hands on a theme by Count Waldstein

  • WoO 68: Twelve variations for piano on the "Menuet a la Vigano" from Jakob Haibel 's ballet ''La nozza disturbate''

  • WoO 69: Nine variations for piano on "Quant'e piu bello" from Giovanni Paisiello 's opera ''La Molinara''

  • WoO 70: Six variations for piano on "Nel cor piu non mi sento" from Giovanni Paisiello 's opera ''La Molinara''

  • WoO 71: Twelve variations for piano on the Russian dance from Paul Wranitzky 's ballet ''Das Waldmädchen''

  • WoO 72: Eight variations for piano on "Mich brennt ein heisses Fieber" from André-Ernest-Modeste Grétry 's opera ''Richard Löwenherz''

  • WoO 73: Ten variations for piano on "La stessa, la stessissima" from Antonio Salieri 's opera ''Falstaff''

  • WoO 74: "Ich denke dein" - song with six variations for piano four hands

  • WoO 75: Seven variations for piano on "Kind, willst du ruhig schlafen" from Peter Winter 's opera ''Das unterbrochene Opferfest''

  • WoO 76: Eight variations for piano on "Tandeln und scherzen" from Franz Xaver Süssmayr 's opera ''Soliman II''

  • WoO 77: Six easy variations for piano on an original theme

  • WoO 78: Seven variations for piano on " God Save The King "

  • WoO 79: Five variations for piano on " Rule Britannia "

  • WoO 80: Thirty-two Variations In C Minor on an original theme


In addition, there are some works which are not even categorized in the WoO catalogue; they include:

  • Sonatina in G major (a short two- Movement work for piano; it appears in the "First Sonatina Album" compiled by James and Jane Smisor Bastien, KJOS WEST publishing, 1984 edition)

  • Sonatina in F major (appeared in the 1933 Associated Board Of The Royal Schools Of Music edition of ''Seven Sonatinas for Pianoforte'' by Beethoven, edited by Harold Craxton, and in the 1995 ABRSM Grade 3 piano examination pieces; authenticity is in question)



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