| Lewis Nash |
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| CATEGORIES ABOUT LEWIS NASH | |
| 1958 births | |
| american jazz musicians | |
| jazz drummers | |
| living people | |
| grammy award winners | |
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Though renowned as a master stylist, particularly in be-bop and post-bop styles, Nash is seemingly at home in a wide range of stylistic territory, including funk, free, and latin based jazz styles, and his versatility has made him one of the most in demand drummers of the past two decades. Nash is known for his seemingly endless depth of melodic vocabulary, drawing from all eras of jazz percussion, while adding his own unmistakably identifiable approach to the construction of his comping figures and soloing. This indentifiable voice puts Nash on a shortlist of drummers of the past 20 years, who have managed to incorporate the important traditions of American jazz music without overshadowing their individuality. Nash's style can be characterized by a few defining elements. An unrelenting ride cymbal beat, dazzling melodic invention between the snare, toms and bass drum, cymbal crashes which resolve these figures in complex, unpredictable ways, crisp technical execution of rudimental figures, a huge sweeping brush sound, and the use of three toms (10, 12, 14), which give Nash a pianistic range of melodic possibilities. Nash is recognized as one of the foremost brush stylists of his generation. In particular, Nash's recordings with the great pianist Tommy Flanagan display his mastery in this regard. Nash is also renowned in the jazz drumming community for his passion and dedication to jazz education, and has fostered the careers of a long list of younger players. He is in high demand as a clinician and performer at major educational jazz festivals, such as the Lionel Hampton Jazz Festival in Moscow, Idaho. He formed his own group, the Lewis Nash Ensemble, in the late 1990s . In 2001, he joined the faculty of Juilliard School Of Music . His only album as a leader is ''Rhythm is My Business'' (1989). |
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