James Bond Music Article Index for
James Bond
Website Links For
James Bond
 

Information About

James Bond Music





THE JAMES BOND THEME

'' written by Monty Norman and performed by the John Barry Orchestra ]]
"The James Bond Theme" is the main signature Theme of the James Bond Film s, being featured in every film since '' Dr. No '' in one form or another. The piece is used in conjunction with the James Bond Gunbarrel Sequence as the film's initial introduction.

Monty Norman has been credited with writing "The James Bond Theme", and has received Royalties since 1962 . For ''Dr. No'', the song was Orchestrated by John Barry who would later go on to compose the soundtrack for 11 future Bond films. Courts have ruled twice that the theme was written by Monty Norman despite claims and testimony by Barry that he had actually written the theme. Norman has consequently won two Libel actions against publishers for claiming that Barry wrote the theme, most recently against '' The Sunday Times '' in 2001 . It is generally acknowledged that Barry came up with the arrangement used in ''Dr. No''.

Norman describes the distinctive Rhythm in the first few bars of "The James Bond Theme" as "Dum di-di dum dum". He claims that it was inspired by the song "Good Sign Bad Sign" sung by India n characters in '' A House For Mr Biswas '', a musical he composed based on a Novel by V.S. Naipaul set in the Indian community in Trinidad . In 2005, Norman released an album called '' Completing The Circle '' that features "Good Sign Bad Sign," "The James Bond Theme," and a similar sounding song titled "Dum Di-Di Dum Dum." For these songs Norman added lyrics that explains the origin and history of "The James Bond Theme."

The distinctive guitar riff heard in the original recording of the theme was played by Vic Flick , who would later play guitar on the original recording of Ron Grainer 's famous theme music from the 1967 television series, '' The Prisoner ''.

"The James Bond Theme" has been used or adapted in a number of non-Bond films including The Beatles ' film '' Help! '', and Steven Spielberg 's '' Catch Me If You Can ''. It has also been famously Remix ed by Moby for '' Tomorrow Never Dies '', by Paul Oakenfold for '' Die Another Day '', and by The Art Of Noise , among many others. It is also the signature tune of the all-female pop-influenced Classical String Quartet , '' Bond ''.

A second piece of music also called "The James Bond Theme" was written by Monty Norman for use in ''Dr. No'' prior to the composition of the more famous piece of music. A blues melody, this earlier version was not used but was included in the soundtrack album, as was a fast-paced variation called "Twisting with James" which is one of the best known James Bond melodies never to have been used in a Bond film.


007

"007" (sometimes referred to as "The 007 Theme"), is an adventure theme composed by John Barry in 1963 for the Bond film, '' From Russia With Love ''.

"007" is made up of a sharp guitar line with brass and strings. The theme appears in five James Bond films:

  • ''From Russia with Love'' — Played during Bond's theft of the Lektor decoder from the Russian embassy in Istanbul and his subsequent escape, and later during the boat chase.

  • '' Thunderball '' — Played when Bond joins the climactic underwater fight

  • '' You Only Live Twice '' — Played during the flight of "Little Nelly" before he battles four helicopters that attack him.

  • '' Diamonds Are Forever '' — Played during Bond's destruction of Blofeld's HQ

  • '' Moonraker '' — Played during the Amazon River chase.


This piece of music was also used by Philadelphia television station KYW-TV as the theme music for its evening news program.


COMPOSERS

The biggest contribution to the James Bond series, save for "The James Bond Theme", are works from John Barry . In addition to his uncredited contribution to ''Dr. No'', Barry composed eleven Bond soundtracks and is credited with the creation of "007" (dominated by Brass and Percussion ) and the popular orchestral theme '' On Her Majesty's Secret Service ''.

Other major composers and record-producers include George Martin , Bill Conti , Michael Kamen , Marvin Hamlisch , Eric Serra , and the current composer David Arnold . Arnold has composed the last three Bond soundtracks and has been contracted again for the twenty-first James Bond film, '' Casino Royale ''.


MAIN TITLE THEMES

The James Bond film franchise is notable for its distinctive theme songs, often performed by the top singers of the day. Some themes have been more popular than others - Sheena Easton's performance of Bill Conti 's "For Your Eyes Only" received an Academy Award nomination for Best Song, Duran Duran and John Barry 's " A View To A Kill " topped the singles charts in America (the only Bond Theme to hit #1), whereas Madonna 's theme for " Die Another Day " was nominated for a Golden Raspberry Award for Worst Original Song (2002) (as well as a Golden Globe for Best Original Song).

The main theme for ''Dr. No'' is the "James Bond Theme", although the opening credits also include an untitled Bongo interlude, and concludes with a vocal Calypso -flavored rendition of " Three Blind Mice " titled "Kingston Calypso" that sets the scene and is repeated throughout the film. Because of this, ''Dr. No'' is the only film to have two opening themes.

Several of the later films have alternative theme songs, often during the closing credits. '' The Living Daylights '' (1987) featured The Pretenders performing "If There Was A Man," composed by John Barry with Chrissie Hynde . '' Tomorrow Never Dies '' (1997) included K.d. Lang 's "Surrender" during the closing credits, a song which was at one time considered to be the opening credits theme instead of the Sheryl Crow title song, but was replaced when the producers wanted a bigger name for the song. The "Surrender" theme is heard throughout the score.

'' On Her Majesty's Secret Service '' (1969) featured an instrumental theme tune, something which remains unique amongst the post-''From Russia With Love'' Bond films, and included a vocal theme in the form of Louis Armstrong 's performance of " We Have All The Time In The World ", written by John Barry and Hal David .

Both '' The Man With The Golden Gun '' (1974) and '' Tomorrow Never Dies '' (1997) resulted in alternative theme songs which were submitted to the producers, but never used; in the former case, Alice Cooper 's alternative theme appeared on his 1973 album '' Muscle Of Love ''. Several artists, some of them already involved with David Arnold's ''Shaken and Stirred'' Bond compilation project, were asked to submit theme songs for ''Tomorrow Never Dies''. Pulp 's "Tomorrow Never Lies" – dating from a time when this was the film's title – was released as a B-side on their 1997 single "Help the Aged", and on the vinyl version of their 1998 album '' This Is Hardcore ''. Another contender by Saint Etienne , entitled simply "Tomorrow Never Dies", turned up on their '' Built On Sand '' album, with the liner notes revealing that Pierce Brosnan kept the master tape of the song. Other artists who submitted ''Tomorrow Never Dies'' themes included The Cardigans and Space . Sheryl Crow 's theme was ultimately used.

The originally intended theme song for ''Thunderball'' was entitled "Mr. Kiss-Kiss, Bang-Bang," a reference to a nickname given to Bond by an Italian journalist in 1962. Halfway through the scoring process, it was decided that having a title song that wasn't the name of the film would not work, so "Thunderball" was commissioned. "Mr. Kiss-Kiss, Bang-Bang" still plays a prominent role in the score, however, the actual track sang by Dionne Warwick was not released till the 1990s.

Welsh singer Shirley Bassey has performed the most Bond themes – she recorded the themes to ''Goldfinger'', ''Diamonds Are Forever'', and ''Moonraker''. Bassey also recorded her own version of "Mr. Kiss-Kiss Bang-Bang" for ''Thunderball'', but her version was replaced by Dionne Warwick's rendition. Likewise, Bassey's original recording wasn't released until the 1990s.

  • EON Productions intended to use a song entitled "Mr. Kiss Kiss Bang Bang" by Dionne Warwick as the theme, but Albert 'Cubby' Broccoli insisted the theme song must include the title of the film. The melody of "Mr. Kiss Kiss Bang Bang" remains a major component of the film score.

  • Two different songs of this title were considered for the theme, but only Sinatra's version was used.

  • The film's closing credits use a vocal version of "Casino Royale" sung by an uncredited vocalist.

  • "All Time High" is the only main theme tune not to feature the title of the movie either in the song title or lyrics ("Nobody Does It Better" features the line "The Spy Who Loved Me" in its lyrics)



Secondary songs

A number of Bond films include one (or more) additional songs in the soundtrack. As noted above, some of these pieces of music, such as "We Have All the Time in the World" by Louis Armstrong , have gone on to become as well-known as the main themes, while other songs remain exclusively linked to the movie in which they appear.

Dionne Warwick's performance of "Mr. Kiss Kiss Bang Bang" is never actually heard in ''Thunderball''; it was originally to have been the opening credits theme, but this was changed when Albert Broccolli decreed the theme had to include the title of the film. The melody of "Mr. Kiss Kiss Bang Bang" is heard throughout the film; Warwick's version was finally released in the 1990s.

The original end title theme to '' The World Is Not Enough '' was "Only Myself To Blame", composed by David Arnold and Don Black, and sung by Scott Walker, but was left out of the final film and replaced by an Arnold arrangement of the "James Bond Theme". "Blame" was, however, left on the ''...Not Enough'' soundtrack album.

The soundtrack to the 1967 spoof ''Casino Royale'' also included two short comedic songs sung in a 1920s style. One led into an instrumental version of "Look of Love" and began with the line "James Bond playing at Casino Royale..."; later, this tune was reprised as "Seven James Bonds at Casino Royale" which lead into a lyrical version of the theme that played over the closing credits.

  • According to the liner notes on the early 2000s re-issue of the soundtrack, this song was originally considered for the movie's theme song, but it was decided to commission a more action-oriented piece of music.


  • Matt Monro's vocal rendition of "From Russia with Love" is often considered the official theme song for that film, even though the opening credits use an instrumental version that also incorporates "The James Bond Theme." Munro's version isn't heard until about 15 minutes into the movie, and again over the closing titles.



VIDEO GAMES

With the increase in audio quality for Video Game Console s and Personal Computer s, in addition to the continued popularity of Computer And Video Games , Publisher Electronic Arts has included opening themes and film-style credit sequences to some of its more recent James Bond video game spin offs.


REFERENCES



EXTERNAL LINKS

  • montynorman.com

  • Detailed account of a court proceeding between Monty Norman and John Barry re: The James Bond Theme, including musicological breakdowns of the theme itself.