| Innokenty Annensky |
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Information AboutInnokenty Annensky |
| CATEGORIES ABOUT INNOKENTY ANNENSKY | |
| 1855 births | |
| annensky, innokenty | |
| 1909 deaths | |
| russian poets | |
| alumni of st. petersburg state university | |
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Innokentiy Fyodorovich Annensky (, 1855 - 1909 ) was a poet, critic and translator, representative of the first wave of the Russian Symbolism . Sometimes cited as a Slavic counterpart to the '' Accursed Poets '', Annensky managed to render into Russian the essential intonations of Baudelaire and Verlaine , while the subtle music, ominous allusions, arcane vocabulary, the spell of minutely changing colours and odours were all his own. His influence on the first post-Symbolist generation of poets ( Akhmatova , Gumilyov , Mandelshtam ) was paramount. BIOGRAPHY Annensky was born into the family of a public official in Omsk on September 1 N.S. 1855 . In 1860 , while still a child, he was taken to Saint Petersburg . Innokenty lost his parents early on, and was raised in the family of his older brother, Nikolai Annensky , a prominent Narodnik and political activist. In 1879 Innokenty graduated from Philological department of St Petersburg University , where he concentrated on Historical-comparative Linguistics . He himself became a teacher, and taught classical languages and ancient literature studies in a Gimnasium of Tsarskoe Selo . He served as the Director of this school from 1886 until his death in 1909 . From his school graduated Anna Akhmatova who called Annensky ''my only teacher'' and Nikolai Gumilev who called him ''the last of Tsarskoe Selo's swans''. Like ), ''Tsar Ixion'' ( 1903 ), ''Laodamia'' ( 1906 ). Some of these works were dedicated to a colleague, Faddei Zielinski , who would later write an obituary on him. Among the Worlds ( 1901 ) ''Among the worlds, in glimmering of stars,'' ''The single Star is ever my attraction…'' ''Not ‘cause I’d so loved Her so far,'' ''But ‘cause I live with others with aversion.'' ''And if my doubts were an awful plight,'' ''I just from Her wait for the final answers,'' ''Not ‘cause She sends to me the saving light,'' ''But ‘cause with Her I can live and in darkness.'' Translation by Yevgeny Bonver 2001 As a literary critic, Annensky published ''The Book of Reflections'', two volumes of essays on Nikolai Gogol , Mikhail Lermontov , Ivan Goncharov , and his favourite Fyodor Dostoyevsky . His essays were sometimes termed a ''critical prose'', because of the artistic value of these texts. During his last months, Annensky worked as an editor of Sergei Makovsky 's journal '''Apollon'', in which he published some essays of the theory of poetry. Nikolai Gumilev valued these theoretical works very highly and considered Annensky to be the first true Acmeist . In Literary History , Annensky is remembered primarily as a Poet . He started writing poetry in the 1870s but did not publish it. He followed advise of his older brother Nikolay not to publish anything until you are 35. His first collection of poems, entitled ''Quiet Songs,'' was published in 1904 under the pseudonym ''Nik. T.-o'' (i.e., "Noone" in Russian). It gained moderate praise from leading Symbolists, many of whom didn't suspect that Annensky was its real author. His second book, the ''Cypress Box'', was much more important. The poet died just days before its projected publication. Many of his unpublished pieces were edited in the 1920s by his stepson Valentin Krivich, who was also a minor poet. On December 11 N.S. 1909 Innokenty Annensky died from a Heart Attack on Tsarskoe Selo Railway Station of Saint Petersburg . His death was linked to family difficulties. Many of his finest pieces (e.g., ''Stansy'', ''Dalnie Ruki'') were actually inspired by Annensky's unrequitted love to his daughter-in-law. ASSESSMENT Annensky's best poems are intricate and obscure: the images are meant to evoke (rather than to record) subtle associations of half-forgotten memories. He once said that the most important thing in poetry is a thread that would bind all the rambling associations into a tightly structured short poem. Aleksander Blok called him a necrophiliac poet, with death being his only theme. While this assessment may appear harsh and far-fetched, it is true that Annensky alluded to death in the sinister odours he cites in many of his poems. EXTERNAL LINKS
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