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Information About

Horacio Vaggione




Vaggione lives in Europe and visited every electronic studied there during the 1970s . From 1969 to 1973 he lived in Madrid , Spain and was part of ALEA and co-founded an electronic studio and the Projects Music and Computer at the Autonomous University in Madrid with Luis De Pablo . In 1978 he moved to France, where he still resides, and begin work at GMEB in Bourges, INA-GRM and IRCAM in Paris where his music moved from synthesized and sampled loops (as in ''La Maquina de Cantar'', produced on an IBM computer) towards micromontage. Since 1994 he has been Professor of Music University of Paris VIII and organized the CICM.


COMPOSITIONS

  • ''La Maquina de Cantar'' (english: "The Singing Machine". 1978, Cramps and reissued 2002, Ampersand 11)

  • ''Thema'' for bass saxophone & computer-generated tape (1985, Wergo WER 2026-2)

  • ''Tar'' (1987, Le Chant du Monde, LCD 278046/47)

  • ''Kitab'' for bass clarinet, piano, contrabass and computer-processed and controlled sounds (1992, Centuar CRC 2255)

  • ''Schall'' (1995)

  • ''Nodal'' (1997)

  • ''Agon'' (1998)

  • ''Sçir'' for contrabass flute in G & prerecorded tape (2001)

  • ''Atem'' for horn, bass clarinet, piano, double bass and electroacoustic set-up (2002)

  • ''Gymel'' Electroacoustic music (2003)

  • ''Taléas'' for recorders and electroacoustics (2002/2004)



SOURCE

Landy, Leigh (1994). ''Experimental Music Notebooks''. ISBN 3718655535.