| Hans Haacke |
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| 1936 births | |
| haacke, hans | |
| living people | |
| german artists | |
| conceptual artists | |
| institutional critique artists | |
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Haacke studied at the Staatliche Werkakademie in Kassel , Germany, from 1956 to 1960. From 1961 to 1962 on a Fulbright grant at the Tyler School of Fine Art at Temple University in Philadelphia . Haacke's early work as a conceptual artist focused on systems and processes. Some of the themes in his early works from the 1960s, such as ''Condensation Cube''(1963-65), include the interactions of physical and biological systems, living animals, plants, and the states of water and the wind. He also made forays into Land Art . His later works have dealt more with socio-political structures and the politics of art. Haacke has been outspoken throughout his career about his belief that museums and galleries are often used by the wealthy to seduce public opinion. From 1967 to 2002 Haacke was a professor at the Cooper Union in New York City. One of his best-known works, ''Shapolsky et al. Manhattan Real Estate Holdings, A Real Time Social System, as of May 1, 1971'' exposed the questionable transactions of Harry Shapolsky's real-estate business between 1951 and 1971. Haacke's 1971 one-artist show at the Solomon R. Guggenheim Museum , which was to include this work that also made an issue of the business and personal connections of the museum's trustees, was cancelled by the museum's director six weeks prior to the opening. An exhibition at the Wallraf-Richartz museum was also cancelled due to the inclusion by Haacke of the work "Manet '74" that connected the funding of the museum to the cultural politics of the cold war. In 1978 he had a solo exhibition at The Museum Of Modern Art, Oxford for which he created the work "A Breed Apart" which made explicit criticism of the state owned British Leyland exporting vehicles for police and military use to Apartheid South Africa. In the later 1980s Haacke moved towards using paintings and larger scale sculptural installation. In 1988 he was given an exhibition at The Tate Gallery in London for which he did a portrait of Margaret Thatcher featuring cameos of Maurice and Charles Saatchi . Haacke's 1990 controversial painting ''Cowboy with Cigarette'' turned Picasso's ''Man with a Hat'' (1912-13) into a cigarette advertisement. The work was a reaction to the Phillip Morris company's sponsorship of a 1989-90 exhibition about Cubism at the Museum of Modern Art. Hans Haacke published a book about the ideas and processes behind his and other conceptual art called ''Framing and Being Framed''. Haacke has since had solo exhibitions at The New Museum of Contemporary Art, New York; the Stedelijk van Abbemuseum, Eindhoven; and the Centre Georges Pompidou, Paris. In 1993 Haacke shared, with Nam June Paik , the Golden Lion for the German Pavilion at the Venice Biennale. Haacke's installation "Germania" made explicit reference to the Biennale's roots in the politics of fascist Italy. Two years later Haacke, teamed together with Pierre Bourdieu ,and published Free Exchange, which was a volume of their conversations. Haacke and Bourdieu expressed a shared interest in the relationship between art and politics. The artist now lives and works in New York. |
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