Information AboutGlyptothek |
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The Glyptothek is a museum in Munich , Germany , which was commissioned by the Bavaria n King Ludwig I to house his collection of Greek and Roman Sculpture s (hence Glypto-, from the Greek root ''glyphein'', to carve). It was designed by Leo Von Klenze in the Neoclassical style, and built from 1816 to 1830. HISTORY OF THE BUILDING The Glyptothek was commissioned by the Crown Prince (later King) Ludwig I Of Bavaria alongside other projects, such as the neighboring Königsplatz and the building which houses the '''State Collection of Greek and Roman Antiquities''', as a monument to ancient Greece. He envisioned a "German Athens", in which the ancient Greek culture would be remembered; he had this built in front of the gates of Munich. The layout of the Königsplatz complex was designed by the architect Leo von Klenze in 1815, who arranged it in the style of a forum, with the Glyptothek on the north side. Colorful frescoes and stuccos made by distinguished artists such as Peter Von Cornelius and Wilhelm Von Kaulbach adorned the walls of the museum. In the few years between 1806 and the opening of the museum in 1830 , Ludwig completed one of the most magnificent collections of Greek and Roman sculpture. Through his agents, he managed to acquire such pieces as the Medusa Rondanini, the Barberini Faun , and, in 1813 , the figures from the Aphaea temple on Aegina . The Second World War did not destroy much of the artwork in the Glyptothek; unfortunately, the frescoes did not survive and only lightly plastered bricks were visible after the museum was reopened in 1972 . ARCHITECTURE The museum was designed in the Classical Greek - Italian style. The portico is Ionic , and the outer walls contain niches, in which 18 original Roman and Greek sculptures stand, six on each wall (except the back). The interior has domed vaulting. The museum was originally built completely out of marble. However, World War II took its toll, and the edifice of the museum was destroyed. The reconstructed museum is not as beautiful as it used to be - the Ionic columns were left unfinished and not fluted, and some sculptures were likewise left undone. The reconstructed building is made out of much less marble than the pre-war building. This is evident when one looks at the walls from the interior; they are composed of red brick and painted only with a light plaster to give a marble effect. The frescoes that used to line the walls also did not make it through the war. COLLECTIONS ]] The Glyptothek contains sculptures dating from the archaic age (ca. 650 BCE ) to the Roman era (ca. 14 CE). Among the most famous sculptures here are the " Barberini Faun " and the '''temple figures from Aegina'''. Of the latter, there are in fact two sets of similar sculptures at the Glyptothek. As archeologists excavated the site at Aegina, these two sets were discovered, and it was later theorized that the original temple was destroyed during the Peloponnesian War and another temple was erected shortly after in its place. The Greeks had not bothered to clear the area, and had left the remains of the original temple buried at the same location. Other notable mosaics, sculptures, and reliefs can also be found here. This collection is complemented by the terracotta and bronze collections in the Staatsantikensammlungen (State Collection of Greek and Roman Antiquities), which is located opposite the Glyptothek. SEE ALSO EXTERNAL LINK |
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