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LITERATURE The term ''giallo'' was originally coined to describe a series of mystery/crime Pulp Novels first published by The Mondadori Publishing House in 1929 (see Giallo Mondadori ). Their yellow covers contained Whodunit s, much like their American counterparts of the 1920s and 1930s , and this link with English language Pulp Fiction was reinforced with the Italian authors always taking on English Pen Names . Many of the earliest "gialli" were however English-language novels translated into Italian. Published as cheap paperbacks, the success of the "giallo" novels soon began attracting the attention of other publishing houses, who began releasing their own versions (not forgetting to keep the by-now-traditional yellow cover). The novels were so popular that even the works of established foreign mystery and crime writers, such as Agatha Christie , Edgar Wallace and Georges Simenon , were labelled "gialli" when first published in Italy. ''Giallo Mondadori'' is currently published every month, as one of the most long-lived publications of the genre in the world. This led to the word "giallo" to become, in Italian Language , a synonym of the mystery, crime and detective story genre, with a more generic significance than that it has currently in English , especially when it defines the cinema sub-genre (see later). FILM The film genre that emerged from these novels in the 1960s began as literal adaptations of the books, but soon began taking advantage of modern cinematic techniques to create a unique genre. Films known abroad as "gialli" are called thrilling or simply "thriller" in Italy, the first term usually referring to Italian 1970s classics by directors like Dario Argento or Mario Bava . Characteristics "Giallo" films are characterized by extended murder sequences featuring excessive bloodletting, stylish camerawork and unusual musical arrangements. The literary Whodunit element is retained, but combined with modern Slasher horror, while being filtered through Italy's longstanding tradition of Opera and staged '' Grand Guignol '' drama. They also generally include liberal amounts of nudity and sex. Gialli typically introduce strong psychological themes of madness, alienation, and paranoia. For example, Sergio Martino 's ''Your Vice is a Locked Room and Only I Have the Key'' (also known as ''Eye of the Black Cat'') was explicitly based on Edgar Allan Poe 's short story "The Black Cat". They remain notable in part for their expressive use of music, most notably by Dario Argento's collaborations with Ennio Morricone and his musical director Bruno Nicolai , and later with the band Goblin . Development As well as the literary ''giallo'' tradition, the films were also initially influenced by the German " Krimi " phenomenon - originally black and white films of the 1960s that were based on Edgar Wallace stories (see Edgar Wallace Movies ). The first film that created the ''giallo'' as a cinema genre is '' La Ragazza Che Sapeva Troppo (The Girl Who Knew Too Much)'' (1963), from Mario Bava . Its title referred to Alfred Hitchcock 's famous '' The Man Who Knew Too Much '' (1956), again establishing strong links with Anglo-American culture. In Mario Bava's 1964 film, '' Blood And Black Lace '', the emblematic element of the ''giallo'' was introduced: the masked murderer with a shiny weapon in his black leather gloved hand. Soon the ''giallo'' became a genre of its own, with its own rules and with a typical Italian flavour: adding additional layers of intense colour and style. The term ''giallo'' finally became synonymous with a heavy, theatrical, and stylised visual element. The genre had its heyday in the 1970s , with dozens of Italian ''giallo'' films released. The most notable directors who worked in the genre were Dario Argento , Mario Bava , Lucio Fulci , Aldo Lado , Sergio Martino , Umberto Lenzi , and Pupi Avati . Notable ''giallo'' films
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