| Fred D'aguiar |
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D'Aguiar was born in London of Guyanese parents. He spent his childhood, from the age of two to twelve, in Guyana . His work has received much, and growing, acclaim. His ''Bill of Rights'', about the Jonestown Massacre of 1978, was a finalist for the 1998 T. S. Eliot Prize . He was Judith E. Wilson Fellow at Cambridge University (1989-90), Visiting Writer at Amherst College , Amherst, Massachusetts (1992-4), and was Assistant Professor of English at Bates College , Lewiston, Maine (1994-5). He was Professor of English and Creative Writing at the University Of Miami . Since 2003, Professor of English and Co-Director of the Master Of Fine Arts in Creative Writing at the Virginia Polytechnic Institute And State University . He was also Northern Arts Literature Fellow at Newcastle and Durham Universities. He trained as a Psychiatric Nurse before reading African And Caribbean Studies at the University Of Kent , Canterbury , graduating in 1985. His first collection of poetry, ''Mama Dot'' (1985), was published to much acclaim. Along with ''Airy Hall'' (1989) (named after the village in Guyana where he spent his childhood), it won the Guyana Poetry Prize in 1989 and was followed by ''British Subjects'' (1993). His first novel, ''The Longest Memory'' (1994), tells the story of Whitechapel, a slave on an eighteenth-century Virginia plantation and won both the David Higham Prize for Fiction and the Whitbread First Novel Award . It was adapted for television and televised by Channel 4 in the UK. His long poem ''Sweet Thames'' was broadcast as part of the BBC "Worlds on Film" series in 1992, winning the Commission For Racial Equality Race In The Media Award . His plays include ''High Life'', which was first produced at the Albany Empire in London in 1987, and ''A Jamaican Airman Foresees His Death'', performed at the Royal Court Theatre , London, in 1991. He is also the author of the novels ''Dear Future'' (1996), set on a fictional Caribbean island, and ''Feeding the Ghosts'' (1997), inspired by a visit D'Aguiar made to the Merseyside Maritime Museum in Liverpool and based on the true story of a slave who survived being thrown overboard with 132 other men, women and children from a slave ship in the Atlantic. Recent poetry includes ''Bill of Rights'' (1998), a long narrative poem about the Jonestown massacre in Guyana in 1979, which is told in Guyanese versions of English, fusing patois, Creole and nation-language with the standard vernacular; and a new long narrative poem, ''Bloodlines'', the story of a black slave and her white lover, published in 2000. His fourth novel, ''Bethany Bettany'' (2003), is centred on a five-year-old Guyanese girl, Bethany, whose suffering symbolises that of a nation seeking to make itself whole again. Bibliography ''Mama Dot'', 1985 ''New British Poetry'' 1968-88 (editor with Gillian Allnut), 1988 ''Airy Hall'', 1989 ''British Subjects'', 1993 ''The Longest Memory'', 1994 ''A Jamaican Airman Foresees His Death'' (play), 1995 ''Dear Future'', 1996 ''Feeding the Ghosts'', 1997 ''Bill of Rights'', 1998 ''Bloodlines'', 2000 ''An English Sampler: New and Selected Poems'', 2001 ''Bethany Bettany'', 2003 Prizes and awards 1983 Minority Rights Group Award 1984 T. S. Eliot Prize 1985 GLC Literature Award 1985 Malcolm X Prize for Poetry ''Mama Dot'' 1989 Guyana Poetry Prize ''Mama Dot'' and ''Airy Hall'' 1993 Commission For Racial Equality Race In The Media Award ''Sweet Thames'' 1994 David Higham Prize for Fiction ''The Longest Memory'' 1994 Whitbread First Novel Award ''The Longest Memory'' 1996 Guyana Prize For Literature ''Dear Future'' 1997 James Tait Black Memorial Prize (for fiction) (shortlist) ''Feeding the Ghosts'' EXTERNAL LINKS
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