| Elizabeth Gaskell |
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| gaskell, elizabeth | |
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Elizabeth Gaskell ( 29 September , 1810 , London – 12 November , 1865 , Holybourne , Hampshire , United Kingdom Of Great Britain And Ireland ), often referred to simply as '''Mrs. Gaskell''', was a British Novelist . LIFE She was born Elizabeth Cleghorn Stevenson in London in 1810 . Her mother, Eliza, the niece of the potter Josiah Wedgwood , died when she was a child. Her father, William Stevenson, was a Unitarian minister, and also a writer. Much of her childhood was spent in Cheshire , where she lived with an aunt in Knutsford , a town she would later immortalise as '' Cranford ''. She also spent some time in Newcastle Upon Tyne and Edinburgh . Her stepmother was a sister of the Scottish Miniature Artist , William John Thomson , who painted a famous portrait of Elizabeth in 1832. In the same year, she married William Gaskell , a minister at Cross Street Unitarian Chapel who had a literary career of his own. They settled in Manchester where the industrial surroundings would offer inspiration for her novels (in the '' Industrial Novel '' genre). The circles in which they moved included religious dissenters and social reformers, including William and Mary Howitt . Mrs. Gaskell's first novel, '' Mary Barton '', was published anonymously in 1848. The best-known of her remaining novels are '' Cranford '' (1853), '' North And South '' (1855), and '' Wives And Daughters '' (1865). She was a friend of Charles Dickens , and wrote the first biography of Charlotte Brontë , which played a significant role in developing her fellow writer's reputation. She died in Hampshire , England , United Kingdom Of Great Britain And Ireland , aged 55. Mrs. Gaskell today ranks as one of the most highly-regarded British novelists of the Victorian Era . STYLE With the help of Charles Dickens , Gaskell became popular for her writing, especially her Ghost Story writing. Even though her writing conforms to Victorian Conventions (including signing her name "Mrs. Gaskell"), Gaskell usually frames her stories as critiques of Victorian Era attitudes, particularly those toward women, with complex narratives and dynamic women characters. PUBLICATIONS Novels
Collections
Short stories
Non-fiction
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