| Comte De Lautreamont |
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| 1846 births | |
| lautréamont, comte de | |
| 1870 deaths | |
| french-language poets | |
| lautréamont | |
| uruguayan french people | |
| surrealist writers | |
| symbolist writers | |
| transgressive artists | |
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Comte de Lautréamont is a Pseudonym for '''Isidore Lucien Ducasse''' ( Montevideo , Uruguay , April 4 , 1846 - Paris , November 24 , 1870 ), a French Poet and Writer . De Jonge writes, "Lautreamont forces his readers to stop taking their world for granted. He shatters the complacent acceptence of the reality proposed by their cultural traditions and make them see that reality for what it is: an unreal nightmare all the more hair-raising because the sleeper believes he is awake." (De Jonge, p. 1) Lautréamont’s writing is full of bizarre scenes, vivid imagery and drastic shifts in tone and style. There are heavy measures of Black Humor ; De Jonge argues that Maldoror reads like "a sustained sick joke." (De Jonge, p. 55) Isidore Ducasse was born to a French Consul ar Officer and his wife. Little is known about his childhood, De Jonge writes that he is "one of those rare figures of Western culture, a writer without a biography." (De Jonge, p. 11) It is believed Ducasse moved to France at the age of 10 to attend a Parisian Lycée . He left school aged 19 to travel, but soon returned to Paris, where he began writing his seminal work, '' Les Chants De Maldoror '', under the name Comte de Lautréamont (based on the character of ''Latréaumont'', from a popular French 1837 Gothic Novel by Eugène Sue , which featured a haughty and blasphemous anti-hero similar in some ways to Lautréamont's Maldoror). The first ''canto'' of the Book was published in 1868 , and the complete work in 1869 . The publisher Lacroix however refused to sell the book as they feared prosecution for Blasphemy or Obscenity . While fighting to have the work published, Ducasse began work on a book of Poetry titled '' Poésies '', however this work remained unfinished as the author died under unknown circumstances. There is a wealth of Lautréamont criticism, interpretation and analysis in French (including an esteemed biography by Jean-Jacques Lefrère), but little in English. ''Les Chants de Maldoror'' is based around a character called Maldoror, a figure of unrelenting evil who has forsaken God and Mankind . The book combines an obscene and violent narrative with vivid and often surrealistic imagery. The book is often seen as an important work of French Symbolism . The artist Amedeo Modigliani always carried a copy of the book with him and used to walk around Montparnasse , quoting from ''Maldoror''. In the 20th century it was acknowledged by the writer André Breton as being a direct precursor to Surrealism . Invoking an obscure clause in the French Civil Code , New York Performance Artist Shishaldin has recently petitioned the French government for permission to posthumously marry the author. QUOTE
:::::::— Lautréamont, ''Les chants de Maldoror'' :Translation: "Arithmetic! Algebra! Geometry! Grandiose trinity! Luminous triangle! Whoever has not known you is without sense!"
:::::::— Lautréamont, ''Les chants de Maldoror'' :Translation: "Beautiful as the fortuitous encounter of a sewing machine and an umbrella on a dissection table."
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