| Boris Thomashefsky |
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| CATEGORIES ABOUT BORIS THOMASHEFSKY | |
| yiddish theatre performers | |
| thomashefsky, boris | |
| 1868 births | |
| 1939 deaths | |
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Although Thomashefsky left Imperial Russia at a time when Yiddish theater was still thriving there (it was banned shortly after, in September 1883), he had never actually seen it performed prior to the 1882 performance he brought together in New York. Thomashefsky, who was earning some money by singing on Saturdays at the Henry Street Synagogue on the Lower East Side , was also working as a cigarette maker in a Sweatshop , where he first heard songs from the Yiddish theater, sung by some of his fellow workers. {Link without Title} He managed to convince a local tavern owner to invest in bringing over some performers. The first performance was '' to fake a sore throat: Thomashefsky went on in her place. {Link without Title} Shortly after, the teenaged Thomashefsky was the pioneer of taking Yiddish theater "on the road" in the United States , performing Goldfaden's plays in cities such as Philadelphia , Washington, D.C. , Baltimore , Pittsburgh , Boston and Chicago , all in the 1880s ; for much of the 1880s, Chicago was his base. After Yiddish theater was banned in Russia, his tours came to include such prominent actors as Siegmund Mogulesko , David Kessler , and Jacob Adler , with new plays by playwrights such as Moses Ha-Levi Horowitz . 1999, 312-314 In 1887, playing in Baltimore, he met 14-year-old Bessie Baumfeld-Kaufman , who went backstage to meet the beautiful young "actress" she had seen on stage, only to discover that "she" was a boy. Bessie soon ran away from home to join the company, and eventually took over the ''ingenue'' roles, as Boris moved on to romantic male leads; they were married in 1891. {Link without Title} In 1891 , with Mogulesko, Kessler, and Adler all engaged in starting the Union Theater, Moishe Finkel brought the still relatively unknown Thomashefsky back to New York to star at his National Theater, where Thomashefsky became such an enormous popular success in Moses Halevy Horowitz's Operetta ''David ben Jesse'' as to force the Union Theater temporarily to abandon its highbrow programming and compete head on. 1999, 318 (commentary) After Adler recruited Jacob Gordin as a playwright and found a way to draw the masses to serious theater with Gordin's '' The Yiddish King Lear '', and then turned to Shakespeare 's '' Othello '', Thomashefsky decided to show that he could compete on that ground as well, and responded with the first Yiddish-language production of Shakespeare's '' Hamlet '', in which, by all reports, he acquitted himself excellently. 1999, 329, 330 These productions ushered in what is generally seen as the first great age of Yiddish theater, centered in New York and lasting approximately until a nwe wave of Jewish immigration, in 1905 — 1908 once again resulted in a vogue for broad comedy, Vaudeville and light operettas, which the Thomashefskys embraced wholeheartedly, especially in performing Leon Korbin 's plays about immigrant life. 1999, ''passim'', 359 (commentary) Other notable Thomashefsky productions included Yiddish versions of ''nic candidate’s reputation by calling him a Nihilist and the young man dies of a broken heart." {Link without Title} (They don't say whether this was the production that went head to head with the Adler/Kessler ''Othello''.) By 1910, Thomashefsky owned a 12-room home on Bedford Avenue in Brooklyn , plus a bungalow by the sea, and 20 acres (81,000 m²) in Hunter, New York which included an open-air theater, Thomashefsky's Paradise Gardens. Each of his three sons had an Arabian Horse . 1999, 359 (commentary) With his wife, actress Bessie Thomashefsky , he had a son Ted, who changed his name to Ted Thomas and became a Stage Manager ; one of Ted Thomas's sons was the noted Conductor Michael Tilson-Thomas . NOTES 1Date is from Jewish Virtual Library [Liptzin, 1972, 78 says he was born in 1866, which would make him approximately 14 rather than 12 when he emigrated and 16 rather than 14 at the time of his stage debut. REFERENCES
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