| Bagpipes |
Website Links For Bagpipes |
Information AboutBagpipes |
| CATEGORIES ABOUT BAGPIPES | |
| bagpiping | |
|
Bagpipes are a class of Musical Instrument , Aerophone s using enclosed Reeds . The term is equally correct in the singular or plural, although pipers most commonly talk of "pipes" and "the bagpipe". OVERVIEW A bagpipe minimally consists of an air supply, a bag, and a Chanter . Optionally, further chanters and/or Drone s can be added. Air supply The most common method of supplying air to the bag is by a blowpipe, or blowstick, into which the player blows. The blowpipe can be fitted with a non-return valve, or the player can close the tip of the blowpipe with their tongue while they breathe. A more recent innovation, dating from the 16th or 17th centuries, is the use of a Bellows to supply air. This has the advantage that the supplied air has not been heated and moistened by the player's breathing. Bagpipes using bellows can therefore use more refined and/or delicate reeds. The possibility of using an artificial air supply, such as an air compressor, is one occasionally discussed by pipers but although experiments have been made in this direction, widespread adoption seems unlikely. Bag The bag is simply an airtight (or near airtight) reservoir which can hold air while the player breathes. This means that the player can play independently of the need to take breaths. It also has the advantage that the player can breathe more naturally, and so can play comfortably for long periods of time. Materials for the bag vary widely: most common are skins of local animals, for example, goat, sheep, cow, and so on. In modern times, players have experimented with modern materials such as Rubber , Goretex , and other airtight fabrics. When made of skin, the bag is usually saddle-stitched with an extra strip folded over the seam to prevent air leaking. Holes are cut in the bag to accommodate the stocks, the connectors which the various pipes are attached to the bag with. With more modern materials, the seam is usually stitched and then a strip of material glued in place to achieve the same purpose. These bags are often fitted with rubber collars to insert the stocks in, which can result in a better, tighter fit with less chance of damaging the bag while attaching the stocks. Another innovation in bag design within the past 10 years is the additon of moisture control systems. Moisture from the piper's breath condenses on the pipes drones and reeds which can cause problems. Bags with zippers can be fitted with moisture control cartridge systems attached to the drone stocks which remove moisture as air passes through bentonite clay particles. Corrugated tube traps attached to blowstick stocks also aid in moisture control via condensation. These types of systems require bags with zippers. Chanter The chanter is the melody pipe, played by one or both hands. A chanter can be bored internally so that the inside walls are parallel for its full length, or it can be bored in the shape of a cone. Additionally, the reed can be a single or a double reed. Single-reeded chanters are parallel-bored; however, both conical- and parallel-bored chanters operate with double reeds, and double reeds are, by far, the more common. The chanter is usually open-ended; thus, there is no easy way for the player to stop the pipe from sounding. This means that most bagpipes share a Legato sound where there are no rests in the music. Primarily because of this inability to stop playing, embellishments (which vary between types of bagpipe) are used to break up notes and to create the illusion of dynamic effect. Because of their importance, these embellishments are often highly technical systems specific to each bagpipe which take much study to master. A few bagpipes (the Northumbrian Smallpipe , the Uilleann Pipes ) have closed ends or stop the end on the player's leg, so that when the player covers all the holes (known as closing the chanter) it becomes silent. This allows for staccato playing on these instruments, although even where the chanter can be silenced, complex embellishment systems often exist. Although the majority of chanters are unkeyed, some make extensive use of keys to extend the range and/or the number of Accidentals the chanter can play. It is possible to produce chanters with two bores and two holes for each note. The double chanters have a full loud sound comparable to the 'wet' sound produced by an accordion. An unusual kind of chanter is the regulator of the Uilleann pipes. This chanter is in addition to the main melody chanter and plays a limited number of notes, operated by keys. It is fitted in the stock for the drones and is played with the wrist, allowing the player to produce a limited but effective chordal accompaniment. A final variant of the chanter is the two-piped chanter (confusingly also usually called a double chanter). Two separate chanters are designed, to be played with different hands. Effectively, when they are played, one chanter is always providing a drone accompaniment to the other. Drone Most bagpipes have at least one drone. A drone is most commonly a cylindrical tube with a single reed, although drones with double reeds do exist. The drone is designed in two or more parts, with a sliding joint so that the pitch of the drone can be manipulated. Some drones have a tuning bead, which effectively alters the length of the drone by opening a hole, allowing the drone to be tuned to two or more distinct pitches. The tuning bead may also shut off the drone altogether. The drone produces a sound that is one octave below the tonic note on the chanter. If the instrument contains two drones, then the second drone is two octaves lower than the tonic note HISTORY ]] There are hundreds of types of bagpipes, each with a unique design, sound, and repertoire. Each has its own history: here we present an overview. Other articles have more information on the history of different Types Of Bagpipes . Sources in piping history Unfortunately, many of the secondary sources from the nineteenth and early twentieth centuries are misleading or verging on fantasy (organist Grattan Flood, and his "The Story of the Bagpipe", published in 1911, is particularly bad in this respect), but continue to be quoted and referenced to the present day. Primary source material must often also be assessed with care. For example, an oft-repeated claim is that the Great Highland Bagpipe was banned after the '45 Rising . This claim is untrue; there is no mention of the bagpipe in the Act Of Proscription , and the entire myth seems to stem from the 1822 letterpress of Donald MacDonald's ''A Collection of the Ancient Martial Music of Caledonia, called Piobaireachd''. Although Donald MacDonald produced the music for this volume, his English (as a native Gaelic speaker) was probably insufficient to render the florid prose in the introduction, purported to be his. Ancient origins Although the early history of the bagpipe is still unclear, it seems likely that the instrument was first developed in pre-Christian times. It seems likely it was developed from an instrument similar to a , the Athenian poet jibed that the pipers of Thebes (an enemy of Athens) blew pipes made of dogskin with chanters made of bone. Several hundred years later, Suetonius described the Roman Emperor Nero as a player of the tibia utricularius. Nero is reported to have said he would play them in public as a penance for not winning a poetry contest. The Romans may well have spread the pipes through the Roman Empire, but there is little evidence for this. Spread and development The Dark Ages have left us practically nothing regarding bagpipes or their position in societies. Prior to the 12th century, only a few Pictish and Irish stone carvings record the continued existence of bagpipes during this time. When they were first introduced to the British Isles is debatable. Findings of statuettes of bagpipers in Roman era archeological digs in England could indicate a diffusion of the bag technology from that vector. Ireland has references going back at least to the Middle Ages, as well as the stone carvings previously mentioned which date back to the 8th century. An explosion of popularity seems to have occurred from around the 12th century; the tune used by Robert Burns for " Scots Wha Hae ", "Hey Tutti Taiti", is traditionally said to have been the tune played as Robert The Bruce 's troops marched to the Battle Of Bannockburn in 1314 . During the 12th century, Europe underwent a flourishing of art and culture as her horizons were being expanded with the crusades. The bagpipes were no exception, and many of Europe's unique bagpipes began to develop around this time. Actual examples of bagpipes from before the 18th century are extremely rare; however, a substantial number of carvings, engravings, manuscript illuminations, and so on survive. They make it clear that bagpipes varied hugely from set to set. It seems likely that bagpipe makers at that time would have mostly been primarily woodworkers with an incomplete grasp of the art of pipemaking. The role of the bagpipe would have varied naturally from place to place, but in Bulgaria it was said, 'A wedding without a bagpipe is like a funeral', and in Britain they were a common adjunct to religious festivals. In Britain, pipers became part of the travelling Minstrel class, acting as carriers of news, gossip and music around the country. In the Scottish Highlands , the pipers started to displace the Harp ers, the chief Celtic musicians since Roman times, round about the 16th century. In 1760, the first serious study of the Highland bagpipe and its music was attempted, in Joseph MacDonald's 'Compleat Theory'. Further south, we have a manuscript by a William Dixon from Northumberland. This contains music which fits a nine-note bagpipe identical to the modern Great Highland Bagpipe ; however the music is quite different, consisting mostly of variation sets of common dance tunes. This MS is almost the only glimpse we have into traditional British bagpipe repertoire outside of the Highland tradition. As Western classical music developed, both in terms of musical sophistication and instrumental technology, the bagpipe fell out of favour due to its limited range and function. This triggered a long (but slow) decline which continued in many cases into the 20th century. Recent history With the growth of the British Empire, often spearheaded by Highland Regiments of the British Army, the Great Highland Bagpipe was diffused world-wide. This surge in popularity, boosted by the huge numbers of pipers trained for the two World Wars in the 20th century, coincided with a decline in the popularity of many traditional forms of bagpipe throughout Europe, which began to be displaced by instruments from the classical tradition and later by gramaphone and radio. In the modern era the use of bagpipes has become a common tradition for military funerals and memorials in the Anglophone world, and they are often used at the funerals of high-ranking civilian public officials as well. Weddings, dances and parties are also venues for piping, in fact any social event, that can be given a lift by the addition of this unique instrumental music. In more recent years, often driven by revivals of native folk music and dance, many types of bagpipes have resurged in popularity, and in many cases instruments that were on the brink of extinction have become extremely popular. In Brittany , the concept of the Pipe Band was adopted, the Great Highland Bagpipe was brought in and the Bagad was created, a showcase ensemble for Breton Folk Music . The pipe band idion has also been adopted in Spain where various types of band are popular. In English-speaking regions, a bagpipe player is known as a "bagpiper" or "piper," and the Surname Piper derives from the latter term. Other European surnames, such as Pfeiffer (German), Gaitero (Spanish), Gajdar (Czech), Dudar (Hungarian), and Tsambounieris (Greek), may also signify that an ancestor was a player of the pipes. MODERN USAGE Types of bagpipes See Also: Types of bagpipes Hundreds Of Types Of Bagpipes today are widely spread across Europe and the Middle East, as well as through much of the former British Empire . The name bagpipe has almost become synonymous with its best-known form, the Great Highland Bagpipe related to the Great Irish Warpipes , overshadowing the great number and variety of traditional forms of bagpipe. Despite the decline of these other types of pipes over the last few centuries, in recent years many of these pipes have seen a resurgence or even revival as traditional musicians have sought them out; for example, the Irish Piping Tradition , which by the mid 20th century had declined to a handful of master players is today alive, well, and flourishing. A similar story can be told of Northumbrian , Breton , Bulgarian , and other bagpipes. Any estimate of the number of pipers playing today can only be a wild guess. However, in the Great Highland Bagpipe world, there are hundreds of Pipe Band s registered with pipe band associations world wide, mostly averaging ten or twelve pipers. There are many more pipers who do not play with bands. Estimates for the number of GHB players worldwide usually suggest a figure between ten and fifty thousand players worldwide. Numbers for other types of bagpipe are much smaller, but many have a substantial worldwide following, and there are many types of bagpipe who have full time makers, teachers, and professional players, supported by a large base of players. Traditionally, one of the main purposes of the bagpipe in most traditions was to provide music for dancing. In most countries this has declined with the growth of professional dance bands, recordings, and the decline of traditional dance. In turn, this has led to many types of pipes developing a performance-led tradition, and indeed much modern music based on the dance music tradition played on bagpipes is no longer suitable for use as dance music. The future Bagpipes today are probably as popular as they have ever been in history; one Scottish maker produces forty sets of pipes per week for sale worldwide, and while this is high, it is indicative of the state of the market. Pipe band associations report continued growth and the number of commercial recordings of bagpipes continues to grow year on year. BAGPIPES IN NON-TRADITIONAL FORMS OF MUSIC Classical works featuring bagpipes
Bagpipes in jazz
Bagpipes in rock
Bagpipes in other forms of music
BAGPIPE HUMOUR
The music of the pipes is best appreciated when heard over a body of water. The width of the Atlantic Ocean is usually considered to be sufficient. and Q. Why do bagpipers walk as they play? A. They're trying to get away from the noise. and Q. What do you call 10 bagpipes under the ocean? A. A start. and Q. What's the difference between a bagpiper and an onion? A. No one cries when you cut up a bagpiper. OR Found on a bumpersticker: Bagpipes irritate only those that NEED irritating. Another bumpersticker: Pipers do it with Amazing Grace. SEE ALSO
EXTERNAL LINKS
|
|
|