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King Arthur is an important figure in the Mythology of Great Britain , where he appears as the ideal of kingship in both war and peace. He is the central character in the cycle of Legend s known as the '' Matter Of Britain ''. There is disagreement about whether Arthur, or a model for him, ever actually existed. In the earliest mentions and in Welsh texts, he is never given the title "King." Early texts refer to him as a ''dux bellorum'' ("war leader"), and medieval Welsh texts often call him ''ameraudur'' (" Emperor "; the word is borrowed from the Latin ''imperator'', which could also mean "war leader").

(died 1519), in Innsbruck ]]


THE ARTHUR OF HISTORY



The historicity of the Arthur of legend has long been debated by scholars. One school of thought is that Arthur was a Romano-British leader who lived sometime in the late 5th Century to early 6th Century and fought against the invading Saxons . Recent archealogical studies show that during his suposed lifetime, there was a generation stop to the Saxons . His power base was probably in the Celtic areas of Wales , Cornwall , or the west of modern England . However, controversy over the centre of his power and the extent and kind of power he wielded continues to this day.

Some members of this school, most notably Geoffrey Ashe and Leon Fleuriot , have argued for identifying Arthur with a certain Riothamus , "King of the Brettones," who was active during the reign of the Roman Emperor Anthemius . Unfortunately, Riothamus is a shadowy figure of whom we know little, and scholars are not certain whether the "Brettones" he led were Britons or Bretons . Other members of this school have argued for identifying Arthur with Ambrosius Aurelianus , a Romano-British war leader who won important battles against the Saxons but whose traditional dates of activity are somewhat earlier than Arthur's. Thus, some have argued that Arthur may have been one of Ambrosius' lieutenants, and may have succeeded him as overall leader.

Other writers suggest that King Arthur should be identified as one Lucius Artorius Castus , a Roman '' Dux '' of the 2nd Century , who led a force of Sarmatian auxillaries based at Hadrian’s Wall, and whose military exploits in Britain may have been remembered for centuries afterwards. This is linked to a theory by C. Scott Littleton and Linda Malcor suggesting that Arthur himself was a Sarmatian. These “Sarmatian connection” theories were the basis of the film '' King Arthur ''. Some see certain connections between Sarmatian legends and customs (such as placing swords in tombstones) and details in the Arthurian legend (such as the Sword In The Stone ). However, the obscurity surrounding Castus makes this identification unlikely, as there seems to be little reason for him to have become a major legendary figure. More importantly, Castus and his forces lived hundreds of years before the traditional dates of Arthur's battles, and would have been at best an influence on the growing myth rather than a source. Also, the elements of the Arthurian legends do not all date to the same era. Some details, like the Sword in the Stone itself, may well have been added later in French romances.

The origin of the name Arthur is itself a matter of debate, and is connected to the debates concerning his historicity. Some, like the above, see it as derived from the Latin '' Artorius '' “plowman”. However, the 5th to 6th century Welsh ''art'' (''arth'' is a later form) means “ Bear ”. Indeed, Gildas calls Arthur “the Bear” in his writings. Thus, theories for the Welsh origin of the name Arthur have been proposed. One has ''art'' + ''ur'', “man of the bear” or “bear-man”, thus giving us ''Artur''. Also, the Latin form of ''Arthur'' appears as ''Arturus'' in the earliest writings, never ''Artorius''.

Toby C. Griffen links the name Arthur to Arcturus , the brightest star in the constellation Boötes , and the third brightest in the night sky. The word ''Arcturus'' is in Classical Latin , and would have been ''Arturus'' in the Late Latin of the 5th – 6th century. Griffen and others believe that Arthur might not be derived from a Latin original such as ''Artorius'', as proponents of the above theories suspect, but could have been a '' Nom De Guerre '' used by or an Epithet bestowed upon the leader who fought against the Saxons.

Griffen goes on to state that the star Arturus was associated with the Great Bear. Its position in the sky, near Ursa Major , led people to call it the “guardian of the bear”, and it was regarded as the leader of the other stars in Boötes . In Welsh, the conveniently similar ''Artur'' (or possibly ''Arturos'') meant “bear-man”. If the man we call Arthur used Arturus (and Artur as his nom de guerre(s), its meaning(s) would have been easily understood by both the Romano-British and native British alike; a stout bear-like defender against the invaders. (See [http://www.geocities.com/~dubricius/csana94.pdf )

Graham Phillips and Martin Keatman argue for their variant of the nom de guerre theory in their book, ''King Arthur: The True Story''. For them, the name has two components. The first would be the Welsh ''art'' meaning bear, and the second a repetition in Latin, ''ursus'', making the original name "Artursus". They maintain that he would have been one of the Votadini of Gwynedd , possibly Owain Ddantgwyn , King of Rhôs . However,their theory has not gained widespread acceptance.

In any case, the name Artur and its variants was used by at least four leaders who lived after the traditional dates of Arthur’s battles, suggesting to Griffen and others that it was not used as a personal name until “the” Arthur himself did so.

Another theory proposes that the real Arthur was Artur Mac Aidan, a war leader of the Celts against their pagan invaders—effectively holding them off for about one hundred more years. This is the solution proposed by Michael Wood . However, Mac Aidan is merely one of the aforementioned four leaders who were probably named after the original Arthur. In modern times, Mac Aidan's name is spelled ''Artuir''.

John Darrah and Arthur Cummins propose a Arthur who lived in the Bronze Age , circa 2300 BC. They argue that pulling a sword from a stone and an anvil is a metaphor for making a sword from ore and hammering it into shape on an anvil. This is disputed by those who say that the Sword in the Stone is an embellishment in the first place.

However, the Arthur of legend may simply be a composite of these and more figures; at least, tales of the real Arthur's exploits may have been confused and merged with that of other war leaders of his time or later.

The late historian John Morris made the alleged reign of Arthur at the turn of the and Cunedda , Hengest and Coel .

Another school of thought believes that Arthur had no historical existence, explaining that he originally was a half-forgotten Celtic deity that devolved into a personage (citing sometimes a supposed change of the sea-god Lir into King Lear ) or a possibly fictive person like Beowulf . Supporters of this theory often link it to the Welsh etymology of Arthur's name as derived from "bear", proposing bear gods named Artos or Artio as the precedent for myth, but these deities are known to have been worshipped by the continental Celts, not the Britons.


EARLIEST TRADITIONS OF ARTHUR

Arthur first appears in '' ("The Treasures of Annwn "), mentions "the valour of Arthur" and states "we went with Arthur in his splendid labours"; and the poem ''Journey to Deganwy '', which contains the passage "as at the battle of Badon with Arthur, chief giver of feasts, with his tall blades red from the battle which all men remember."

Another early reference to Arthur is in the '' Historia Britonum '', attributed to the Welsh monk Nennius , who is said to have written this compilation of early Welsh history around the year 830 . In this work, Arthur is referred to as a "leader of battles" rather than as a king. Two separate sources within this compilation list twelve battles that he fought, culminating in the Battle Of Mons Badonicus , where he is said to have single-handedly killed 960 men. According to the 10th century '' Annales Cambriae '', Arthur was killed at the Battle Of Camlann in AD 537 .

Arthur makes appearances in a number of well known ''vitae'' ("Lives") of 6th century Saint s, most of them written at the monastery of Llancarfan in the 12th century. For example, in the ''Life of Saint Illtud '', from internal evidence apparently written around 1140, Arthur is said to be a cousin of that churchman. Many of these appearances portray Arthur as a fierce warrior, and not necessarily as morally impeccable as in later romances. According to the ''Life of Saint Gildas '' (died ca. 570 AD), written in the 11th Century by Caradoc Of Llancarfan , Arthur killed Gildas' brother Hueil , a Pirate on the Isle Of Man .

In around 1100, Lifris Of Llancarfan writes in his ''Life of Saint Cadoc '' that Arthur was bettered by Cadoc. Cadoc gave protection to a man who killed three of Arthur's soldiers, and Arthur was awarded a herd of cattle from Cadoc as '' Wergeld '' for his men. Cadoc delivered them as demanded, but when Arthur took possession of the animals, they were transformed into bundles of ferns. Such episodes serve to portray a holy man besting a worldly leader. Similar incidents are described in the late medieval biographies of Carannog, Padern, Goeznovius, and Efflam.

Arthur also appears in the Welsh tale '' Culhwch And Olwen '', a narrative that is usually associated with the '' Mabinogion ''. In that work, Culhwch visits Arthur's court to seek his help in winning the hand of Olwen . Arthur, who is described as his kinsman, agrees to the request and fulfils the demands of Olwen's giant father Ysbaddaden , which includes his hunt for the great boar Twrch Trwyth described at length by the author.

This may be related to legends where Arthur is depicted as the leader of the . Loomis alludes to a Scottish mention in the 16th Century , and that many of these beliefs were still current in the 19th Century at Cadbury Castle, and in several parts of France.

Later parts of the ''Trioedd Ynys Prydein'', or '' Welsh Triads '', mention Arthur and locate his court in Celliwig in Cornwall . Celliwig was identified by older Cornish Antiquaries with Callington , but Rachel Bromwich , the latest editor of the ''Welsh Triads'', matched it to Kelly Rounds , a Hill Fort in the Cornish parish of Egloshayle .


THE ARTHURIAN ROMANCE

The first major popularization of Arthurian legend was Geoffrey Of Monmouth 's fictional '' Historia Regum Britanniae '', a Medieval equivalent of a bestseller that helped draw the attention of other writers, such as Robert Wace and Layamon , who then expanded on the tales of Arthur. The date of the ''Historia'' is given as 1133 by a small proportion of experts; however, the date is more normally given as 1138 , as the following quote indicates:

:Geoffrey stayed at Oxford at least until 1151 and during this period wrote his two extant works, ''Historia regum Britanniae'' ( 11361138 ; "History of the Kings of Britain") and ''Vita Merlini'' (ca. 1148 ; "The Life of Merlin").

One theory as to why Arthurian legend bloomed in this period proposes that the Norman Conquest of Britain in 1066 stimulated a renewed interest in British history; Edward Gibbon describes this in '' The Decline And Fall Of The Roman Empire '':

:During a period of five hundred years the tradition of his exploits was preserved, and rudely embellished, by the obscure bards of Wales and Armorica (otherwise known as Brittany), who were odious to the Saxons, and unknown to the rest of mankind. The pride and curiosity of the Norman conquerors prompted them to inquire into the ancient history of Britain; they listened with fond credulity to the tale of Arthur, and eagerly applauded the merit of a prince who had triumphed over the Saxons, their common enemies. 38, Footnote 138

Thus, according to Gibbon, the once obscure 500-year-old Welsh legend became more widely known (through the works of the Anglo-Norman poet Wace and others), creating a unified cultural icon under which the Norman rulers and the native Welsh could rally against their common enemy: the Saxons.

One influencing factor may have been that William The Conqueror was one-quarter Breton , and the Bretons had kept alive the legends of King Arthur brought with them when they fled Britain during the Saxon invasions five centuries earlier. Geoffrey of Monmouth was also of Breton stock. The Bretons and other British émigrés had supported William the Conqueror at the Battle Of Hastings , providing a large proportion of the knights in the battle. Since the ethnic British nobility fought against the Saxons at Hastings it was inevitable that their mythology would experience a resurgence when the crown was won.

While many scholars believe that Geoffrey of Monmouth is the source for medieval interest in Arthur, at least one scholar, Roger S. Loomis, has argued that many of the tales surrounding Arthur were independently adapted from Breton Oral Tradition s, spread through the royal and noble courts of Europe by professional storytellers known as '' Jongleur s''. The French medieval writer Chrétien De Troyes recounted tales from the Matter of Britain during the mid 12th century, as did Marie De France in her narrative Lais . In any case, the later stories told by these two writers and by many others appear to be independent of what Geoffrey of Monmouth wrote.

In these Arthurian romances, which gained popularity in the 12th century, Arthur gathered the Knights Of The Round Table ( Lancelot , Gawain , Galahad , and others). At his court, most often held at Camelot in the later prose romances, could sometimes be found the wizard Merlin . Arthur's knights engaged in fabulous quests, the quest for the Holy Grail being perhaps the best known. Other stories from the Celt ic world came to be associated with Arthur, such as the tale of Tristan and Isolde . In the late prose romances the love affair between Arthur's champion, Sir Lancelot, and the Queen, Guinevere , becomes the central reason for the collapse of the Arthurian realm.

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In the romances, Arthur is killed in his last battle, the Battle Of Camlann , in which he fought against the forces of Mordred . The '' Prose Lancelot '' and the later prose cyclic romances state that Mordred was also a knight of the Round Table and the child of an Incestuous union between Arthur and his sister Morgause . In almost all accounts Arthur is said to have been mortally wounded, but to have been taken after the battle to Avalon , where his wounds were healed or his body buried in a chapel. Some texts refer to a return of Arthur in the future.

The Arthurian mythos spread far across the European continent. An image of Arthur and his knights attacking a castle was carved into an Archivolt over the north doorway of Modena Cathedral in Italy sometime between 1099 and 1120. The surprising fact that these Italian images seem to have been carved more than a decade before the appearance of Geoffrey's "Historia" indicates how limited is our knowledge of the spread of Arthurian legend in the early Middle Ages . Also in Italy, a Mosaic pavement in the cathedral of Otranto , near Bari , was made in 1165 with the unexplained depiction of ''Arturus Rex'' bearing a Sceptre and riding a Goat . 15th century merchants set up an Arthurian hall in his honour in Gdańsk , Poland .

Other medieval retellings of the Arthurian cycle include the works of Gottfried Von Strassburg and Wolfram Von Eschenbach , the Anonymous '' Sir Gawain And The Green Knight '', Thomas Malory 's '' Le Morte D'Arthur '' and Stricker 's '' Daniel Von Blumenthal ''.

In 1191, monks of Glastonbury Abbey announced that they had found the burial site of Arthur and Guinevere. Their grave was shown to many people, and the reputed remains were moved to a new tomb in 1278. The tomb was destroyed during the Reformation , and the bones lost. The antiquary John Leland reports that he saw the cross found with the remains, and transcribed its inscription as

Hic iacet sepvltvs inclytvs rex artvrivs in insvla avalonia


If Leland accurately reproduced the script of this inscription, then it can be dated to the 10th Century . At least one scholar has suggested that the cross was added when Arthur's remains were transferred to the abbey. Almost all are skeptical of the discovery, as Glastonbury monks were notorious forgers.


ARTHUR'S SWORDS

Main entry: Excalibur


In Robert De Boron 's ''Merlin'', Arthur obtained the throne by pulling a sword from a stone and anvil. In this account, this act could not be performed except by "the true king," meaning the divinely appointed king or true heir of Uther Pendragon . This sword was presumably the famous Excalibur and the identity is made explicit in the later so-called '' Vulgate Merlin Continuation ''.

However, in what is sometimes called the '' Post-Vulgate Merlin '', Excalibur was taken from a hand rising from a lake and given to Arthur by the Lady Of The Lake sometime after he began to reign. According to many sources, Arthur broke the sword pulled from the stone whilst fighting King Pellinore , and thus Merlin took him to retrieve Excalibur from the lake (as cited in many novels including Howard Pyle 's ''King Arthur and His Knights'', ''King Arthur and the Legend of Camelot'', and indeed most modern Arthurian literature). In this Post-Vulgate version, the sword's blade could slice through anything and its sheath made the wearer invincible. Some stories say that Arthur did indeed pull the sword from the stone (Excalibur), giving him the right to be king, but accidentally killed a fellow knight with it and cast it away. Merlin told him to undertake a quest to find another blade, and it was then that Arthur received his sword from the hand in the water, and named it Excalibur, after his original sword. The first appearance of the sword named '' Caliburn '' is in Geoffrey of Monmouth, who asserted that in battle against Arthur "nought might armour avail, but that Caliburn would carve their souls from out them with their blood." ( {Link without Title} ).


ARTHUR IN VARIOUS MEDIA


Literature


  • Attanasio, A. A.: '' The Dragon And The Unicorn '', '' The Eagle And The Sword '', and '' The Wolf And The Crown ''.

  • Benz, Derek and J.S. Lewis' The Revenge Of The Shadow King reveals an alternate history of Arthur who was betrayed and murdered by Mordred for possession of a sacred book which had been passed down father-to-son for thousands of years. In this case, Arthur was betrayed when he refused to pass the book on to his illegitimate son.

  • '' is the classic of modern reinterpretations of the Arthurian legend through the point of views of powerful women behind Camelot.

  • '', '' Kingdom Of Summer '' and '' In Winter's Shadow '' is an extremely inventive reinterpretation of the legend.

  • '' Gamebook s centre on the kingdom of King Arthur.

  • Bryher set her historical novel ''Ruan'' in Britain immediately after Arthur's death.

  • Chadbourn, Mark : ''The Age of Misrule'' and ''The Dark Age'' trilogies take a modern twist of Arthurian legend and Celtic mythology, using them as a basis for a dark series of novels set in modern Britain, when the Celtic gods return to take back the land.

  • Christian, Catherine , ''The Pendragon'' tells the story from a 5th century Sir Bedivere .

  • Cooper, Susan : five volume saga, ''The Dark is Rising''.

  • Cornwell, Bernard : ''Warlord Chronicles'' consist of three novels, ''Winter King'', ''Enemy of God'', and ''Excalibur'', and reintroduce many old characters back into the tale. Told by Derfel after Arthur's death they are very realistic in nature even though they do have Merlin and Lancelot and magic. Well worth a read and the author's notes at the end are enlightening. "There is a sword and there is a stone, but one is not in the other", is Cornwell's own summary. These three books are Bernard Cornwell's personal favourites of all his own works.

  • '', '' At The Crossing-Places '' and '' King Of The Middle-March. ''.

  • ''Dragon Lord'', Drake, David : somewhat unconventional story involving a "King Arthur" who is more great military general than quasi-enchanted king, takes place shortly after the fall of the Roman Empire and long before the Age of Chivalry.

  • Elliot, Janice: ''The King Awakes'' a post-apocalyptic science fiction novel for young teens. Arthur awakens and maintains a presence as a sub-plot, leading to a fantastic finale complete with re-born Knights of the Round Table. An interesting re-interpretation of Celtic myth in a post atomic war milleu.

  • Gidlow, Christopher: ''The Reign of Arthur: From History to Legend''

  • Godwin, Parke: ''Firelord'' and ''Beloved Exile''

  • The several books by Goodrich, Norma Lorre are very popular, but are based on a poorly received analysis of Arthurian legend and medieval history. She asserts he was a borderlands king whose activity centred around the Roman walls and wall forts. This is so at odds with entrenched beliefs that she is dismissed by many scholars despite some well founded conclusions.

  • '' trilogy.

  • Jack, Whyte : ''The Camulod Chronicles'', a series of books containing more historical fiction than fantasy beginning with Roman Britain and leading through Arthur's reign.

  • '' is the continuation of the Camelot story in the framework of a wider epic.

  • '' reveals that the Spagettie Western/horror/Sci-fi Magnum Opus adventure series Hero, Roland, is one of only two of King Arthurs surviving decendents.

  • Knowles, Sir James , ''The Legends of King Arthur and his Knights''

  • '' is a work based on Thomas Malory 's, written in such a way to appeal to the boys of the 19th Century .

  • ''

  • Masefield, John ' cycle of poetry concerning the Arthurian legend.

  • Miles, Rosalind ' ''Guenevere Trilogy'' is a fictional trilogy that follows Guenevere and King Arthur through their reign as High King and Queen

  • Persia, Woolley : ''Child of the Northern Spring'', Queen of the Summer Stars'', and ''Guinevere: The Legend in Autumn''.

  • Powers, Tim ' ''The Drawing of the Dark'' depicts an eternal King Arthur reincarnated to participate in the Siege Of Vienna .

  • Pyle, Howard , ''King Arthur and His Knights of The Round Table''

  • '' and '' I Am Morgan Le Fay '' are two Young Adult novels about the two often misunderstood characters of Camelot.

  • '' is a traditional take in modern language.

  • '', a more thorough examination of the myths, especially concerning Taliesin , Merlin , Arthur, and the Grail .

  • '' sets up the background for the Arthurian legend. '' The Hollow Hills '' encompasses most of Arthur's lifespan, including his childhood with Merlin as his tutor. '' The Last Enchantment '' deals with Merlin's later life, against the continued background of Arthur's rule. A later book, '' The Wicked Day '', was written from the point of view of Mordred in the latter period of Arthur's rule, and provides an interesting counterpoint to the original three novels.

  • ''

  • ''

  • '' cycle



''See also:'' List Of Books About King Arthur


Plays



Opera


HI


Film


''See also:'' List Of Movies Based On Arthurian Legend .


Television

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  • The 1950s British television series '' The Adventures Of Sir Lancelot '', although based around the knight's exploits, featured Arthur and many other characters from the legends. This was the first British television series ever to be made in colour.

  • The late 1960s Australian animated cartoon series '' Arthur! And The Square Knights Of The Round Table '' was a typically wacky take on Arthurian legend.

  • The 1970s British television series, '' Arthur Of The Britons '', starring Oliver Tobias , sought to create a more "realistic" portrait of the period and to explain the origins of some of the myths about the Celtic leader.

  • The television movie '' Merlin '' showing a tale of Arthur and his knights.

  • The animated series '' The Legend Of Prince Valiant '' followed the adventures of three young warriors training to become Knights of the Round Table. Originally aired in the early 1990s, it featured Arthur, Merlin, Guinevere, and Gawain in its main cast and several other Arthurian characters in recurring roles.

  • The animated series '' Gargoyles '' featured several tales of Arthur (who was prematurely awakened in a time of need) and the magic and fairies of Avalon. A proposed spin-off for the character never materialized.

  • The animated series ''Justice League'' and ''Justice League Unlimited'' featuring related characters Morgan Le Fay, Mordred, and Merlin.

  • The animated series '' King Arthur And The Knights Of Justice '' premiring in 1992 featured an American Football team called the Knights led by quarterback Arthur King. When the "real" Knights of the Round Table are captured, Merlin magically transports the Knights football team to Camelot to defend the kingdom and rescue the captured knights. The show was cancelled in 1993.

  • The 100th episode of the television show '''', ''Once Upon A Future King'', featured a young Arthur sent back in time by Merlin to learn from Hercules.

  • In Season Nine of the science-fiction television series Stargate SG-1 , Arthur and Arthurian legend, particularly Merlin , are intrinsic to the plot of the season; specifically, Merlin is an Ancient who may have taught Arthur how to Ascend at Glastonbury Tor and hid the wealth of the Knights in an elaborate, puzzle-laden chamber.

  • King Arthur appears in the Babylon 5 Episode A Late Delivery From Avalon . Babylon 5 Influences contains more discussion on the King Arthur myths evident in Babylon 5.

  • Marion Zimmer Bradley's '' The Mists Of Avalon '' was made into a Miniseries in 2001.



Other media



SEE ALSO



BIBLIOGRAPHY

  • Leslie Alcock. ''Arthur's Britain: History and Archaeology AD 367 - 634''. Allen Lane, The Penguin Press. London. 1971. ISBN 0713902450

  • Richard Barber, ''King Arthur in Legend and History'', Boydell Press, Woodbridge 2004, ISBN 0851152546 {Link without Title}

  • Rachel Bromwich, "Concepts of Arthur", ''Studia Celtica'', 9/10 (1976), pp.163-81.

  • Ronan Coghlan, ''Encyclopaedia of Arthurian Legends'', Element, Shaftesbury, 1991.

  • David N. Dumville, "Sub-Roman Britain: History and Legend", ''History'' 62 (1977), pp. 173-92.

  • Roger S. Loomis, "The Arthurian Legend before 1139", ''The Romanic Review'', 32 (1941), 3-38.

  • Roger S. Loomis, editor. ''Arthurian Literature in the Middle Ages''. Clarendon Press: Oxford University. 1959. ISBN 0198115881

  • Daniel Mersey. ''Arthur King of the Britons: From Celtic Hero To Cinema Icon''. Summersdale. Chichester. 2004. ISBN 1840244038

  • John Morris. "The Age of Arthur." New York: Scribner, 1973. SBN 684 13313 X

  • Thomas Jones, "The Early Evolution of the Legend of Arthur", ''Nottingham Medieval Studies'', 8 (1964), pp. 3-21.

  • Derek Pearsall, ''Arthurian Romance: a short introduction'', Blackwell, Oxford 2005 ISBN 0631233199



EXTERNAL LINKS



REFERENCES

  • Loomis, Roger S. 1972. "Arthur" in ''Funk and Wagnalls Standard Dictionary of Folklore, Mythology and Legend'' (edited by Maria Leach) Funk and Wagnalls. New York.



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