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Anarchists
 

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Anarchists (film)




  Director Yu Yong-Sik
  Producer Lee Chang-Joon , Zhong Zheng , Fu Wenxia , Lee Jun-Ik (executive producer)
  Writer Park Chan-wook
  Starring Jang Dong-Gun ,<br> Kim Sang-Joong ,<br> Jeong Jun-Ho ,<br> Lee Bum-Soo , <br> Kim In-kwon ,<br> Ye Ji-won
  Music Choi Man-Shik , Choi Sun-Shik
  Cinematography Kim Eung-Taek
  Editing Kyung Min-Ho
  Sound LIVE TONE
  CGI Effects Insight Visual
  Production CineWorld , Shanghai Film
  Distributor Fordwell Group Ltd ( Hong Kong ), CineClick Asia ( USA ),
  Released 2000 ( South Korea ), 2002 ( Hong Kong ), 2003 ( USA ), 2005 ( Japan )
  Runtime 100 min
  Language Korean , ( Chinese , English , and Japanese subtitles)
  Imdb Id 0280427
  Mr A-na-k'i-seu-teu


''Anarchists'' is a South Korea Action Movie , made in 2000 , and directed by Yu Yong-Sik and written by Park Chan-Wook .

Set in Shanghai , circa 1924 , the movie is about an underground cell of Anarchists who attempt to overthrow the Japanese government's Colonial Control Of Korea through Propaganda Of The Deed . Told from the perspective of the youngest member, Sang-Gu, years after the fact, the story is a sympathetic look at a group of revolutionaries through the eyes of one of their own.


PLOT SUMMARY


In the opening scene the protagonist begins to reminisce about his youth and remembers the day he was saved from execution in a raid performed by the anarchist cell he would later join. After reaching a safe house the group begins to teach him the tricks of their trade. He later takes part in several missions, though he continues to have difficulty throughout the movie with the violence of his new job.

Eventually a string of tragic events strike the team. One of their members is fatally betrayed during a mission, leading to their covers being blown during the next. Now wanted by the Japanese and Chinese authorities, their funders turn away from them and instead choose to support Socialist electoral politics to further their cause. This angers the group, and they leave the larger organization, attempting to survive on their own by earning money through gambling and bank robbery. Over time the group becomes agitated with simply scraping by and several voice a desire to return to their old ways of clandestine warfare. They collectively decide to strike at the Japanese government in a high profile attack, leading up to a dramatic finale.


CAST AND CHARACTER DESCRIPTIONS

Specific character information largely comes from the film's official website, rather than the movie itself. Within the film, characters aren't overtly developed and exposition largely comes through Sang-Gu's perspective, relying on few monologues and no flashbacks to tell the backstory. Instead, referinces to some of the events descriped below can be detected within character interaction and dialogue.



"A graduate of Moscow University , Seregay is a Nihilistic intellectual. He was the leader of an anarchist terrorist group, but unable to overcome the after-effects of torture from Japanese authorities, he's become addicted to Opium , which takes him down a road of destruction. Aside from his drug addiction, he's an excellent sharpshooter, and with his handsome face and eccentric charm, he's loved by women all around him."











PRODUCTION NOTES AND HISTORICAL SIGNIFICANCE

''Anarchists'' was the first Korean and Chinese co-production in the history of Korean Cinema . The film was shot entirely in China over a period of three months in Shanghai and in towns nearby. For ''Anarchists'', the production team worked with a Chinese-based A-level staff who participated in the production of ChenKaige's '' Farewell My Concubine '' and '' Temptress Moon ''. For an effective production process, the actors and the core production staff came from Korea, while the production design, elaborate sets, supporting talent and hundreds of extras were supplied by the Shanghai Film Studio .

Jang Dong-Gun later spoke on the production in an interview: "''The opium joint and the pipe I used were all genuine stuff from that period. The background was authentic as well. Even those cups were genuine antiques. I believed that a lot of spirits haunted the place. All the elements provided a wonderful atmosphere for filming.''"


ANARCHY AND THE FILM

A movie about the practicalities of survival, the passion for the good fight, and how these two things are sometimes at odds; it attempts to portray the anarchists with respect, but falls prey to martial art film clichés and shallow character portrayal. The characters act less like politically minded radicals and more like a crew of hitmen out to take down an underdeveloped enemy in overacted, slow motion gun battles.

Little about anarchist philosophy is actually explained, much less why the individual characters would be attracted to it, though clear references to certain facets of anarchism are referenced. Examples include a reference to Kropotkin , the origin of the word Anarchy , and a brief exchange on the use of the color black as an Anarchist Symbol . One scene between the anarchists and their founder also touches on the relationship between anarchists and Socialist s, and the turmoil that occurred among political factions after the Russian Revolution Of 1917 , as a result of which many anarchists became socialists and anarchism as a movement began to see a decline in Asia.

For their part, the promoters were not at all shy of describing their protagonists as " Terrorists ," despite the obvious negative connotations and the fact that mainstream media sources often meet anarchists with hostility.

However, the movie is unique among fictional dipictions of anarchists in that its tone is sympathetic. Most interpretations of anarchists are based on the western bias that anarchism is a philosophy grounded in terrorism. The willingness to accept anarchists as positive historical figures may be owed to the fact that "terrorism" as practiced by anarchists in Europe and the US never caught on in Asia, and today anarchism is a relatively unknown philosophy in East Asian countries. Anarchists are not seen so much as barbarians, as they are novelties.


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