| Adoration Of The Magi In Art |
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The Adoration of the Magi is the name traditionally given to a Christian religious scene in which the . Christian iconography has considerably expanded the bare account of the Biblical Magi given in the second chapter of the Gospel Of Matthew (2:1-11) and used it to press the point that Jesus was recognized, from his earliest infancy, as king of the earth. For this reason, the three kings are shown as diverse as possible, and the scene often includes a fair diversity of animals as well: the ox and ass from the s for example), the two scenes are contrasted or set as pendants to the central scene, usually a Nativity . Medieval artists usually expressed this human diversity by depicting the three ages of man: a particularly beautiful example is seen on the façade of the cathedral of Orvieto . Since the Age Of Discoveries , on the other hand, the Magi are frequently made to represent three parts of the world, and the diversity tends to be racial: Balthasar is very commonly cast as an African or Moor, and Caspar is sometimes given Oriental features. From the artist's standpoint, the Adoration of the Magi is often a bravura piece in which the artist can display their handling of complex, crowded scenes involving horses and camels, but also their rendering of varied textures: the silk, fur, jewels and gold of the Kings set against the wood of the stable, the straw of Jesus's manger and the rough clothing of Joseph and the shepherds. The usefulness of the subject to the Church and the technical challenges involved in representing it have made the Adoration of the Magi a favorite subject of Christian art: chiefly painting, but also sculpture and even music (as in Gian-Carlo Menotti 's Amahl And The Night Visitors ). TREATMENT BY INDIVIDUAL ARTISTS Many hundreds of artists have treated the subject. A very partial list of the most celebrated follow, reading like a who's-who of painters:
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